I don't usually make these kind of posts, but I'm all doped up from a gnarly eye surgery I had yesterday, so I am set up for loopy rambling. Excuse grammatical problems- I can barely see the screen!
Jason and the gang have been super to deal with, so I have the faith that these orders would come out just as great as my literally perfect Imperial/MG5.
They are completely different! The Zon is absolutely the odd man out of the bunch, being an 8-lb bass with a super warm, buttery wood combo. The bass kills on recordings, and works great strung B-G or E-C. The least punchy, assertive instrument I own (in a good way).
The Fodera and the Benavente are similar same wood combos- maple body/ash neck/katalox top/back. The Fodera has a thick, asymmetric ash/ebony neck with a maple fingeroard, while the Benavente has an ash/katalox neck, ebony fingerboard w/ katalox inlays and an ebony headstock (!). The Fodera sounds exactly like you'd expect- very bright, punchy as hell, delightfully grindy if you dig in or smooth with a light touch. The Benavente is much warmer despite all of the bright woods, but has pretty intense clarity. It is awesome for rock gigs, and I used to string it for flats for these hip hop gigs I did.
The Benavente was part of a pair I ordered way back when. The other bass was perfect, but this one had a bunch of issues. Wrong woods, wrong string spacing (17.5mm, where the other bass has the correct 16.5mm), really problematic frets and board leveling (where the other was perfect). Once I fixed the fingerboard issues, it played so well that the spacing was no real issue.
All keepers. Couldn't get rid of any of them.
On the books:
Imperial/MG5 built just like the one above
- 33" scale/26 frets/16.5mm spacing
- B-G tuning
- ~50 year old white korina body (per Jason & Vinny's suggestion; I was thinking alder or walnut or something)
- Holly full top/back/headstocks/ramps
- katalox fingerboard
- ash/ebony stringer neck
- black hardware
- Lane Poor SBs
I thought about the idea of a matching katalox headstock, as I love the look of a matching headstock/fingerboard you see on some Foderas, but I think it might not look that great with katalox vs. something like rosewood/ebony.
THINKING about (but not discussed much with Jason yet):
- either Imperial MG5 (26f) or Monarch with deep cutaway (28f)
- longer scale (don't know which yet)
- wenge/purpleheart neck
- all walnut body
- gaboon ebony top/back/headstock/ramps/fingerboard
Something like that. I might do something lighter/less bright for the top/back like poplar burl or buckeye or something. I don't know.
The combo would definitely sound very woody and dark, with a longer scale for more defined fundamentalm which would make a great recording instrument. Heavy as all getout, probably, but can't be worse than my 13.5 Zon that I adore.
Either way, both basses would be much more "subdued" looking than the current one, which is fine. I just want something warmer on one, and woody/dark for the other.
Someday an ash/maple/maple with singles calls.
The Holly MG is going to be very awesome. Can't wait to see it. When is it done?
