i tend to be an outlier on these things.
some basses have taken 5 years for me to really understand their strengths and to really make them "my own."
i'm willing to invest the time while others will not.
Same here.
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i tend to be an outlier on these things.
some basses have taken 5 years for me to really understand their strengths and to really make them "my own."
i'm willing to invest the time while others will not.
I think there's also a lot of mental change that goes on the longer we have a "new" bass. Over time, we start to become used to the feel and sound of it, and maybe what we perceive as a bass "settling in" is just our minds and bodies becoming more acclimated with the instrument. Maybe this doesn't happen to everyone but it DEFINITELY happens to me. My newest fodera felt quite different from my last one, and while I A/Bd them, it was really tough to decide which I really loved more. Now having owned my new fodera for half a year and pretty much playing it exclusively, it's settled in as the sound I always want to hear and I have difficulty playing other basses. Has the wood settled in and the tone changed since I first got it brand new? Maybe, but I def think it's more of a mental thing in my own head. IMHO of course....
I also asked, but I suspect it is actually Gaboon/Cameroon. With the whole ebony thing going on, we're going to see a lot more of that kind of ebony with similar figuring as Mac.
i think sometimes people have expectations of what a specific bass (especially if you got one because so-and-so uses one and you base your purchase on that) should sound like . . . a lot of times, it doesn't work like that. it's gonna sounds like *you* playing it.
A friend of my wife's is a close relative of Geddy Lee's and told me that Geddy owns a nice Spector bass and was playing around with it recently. The friend said Geddy sounded just like Geddy. His completely unique and hard attack, the treble and bass always completely dimed, etc. Bet he would sound like himself with a Fodera or most other basses.
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Here's a quick low quality vid of the YYS getting some stage time by herself.
Not sure if this was posted yet.
Interesting vid of 5 Berkley students soloing of which one is playing a Fodera while they trade 4's. Tonal differences are very interesting. Not sure what some of the other basses are.
You can skip to 2:30 mark for the start of the solos.
http://www.notreble.com/buzz/2014/01/23/chuks-okpu-chuk-for-chick/
I actually thought the slapping was pretty tasteful for what it was. Funny though, I thought the fodera sounded the worst of all of them! Def not my cup of tea sonically at all....I wonder what's going on EQ wise there to make that emperor standard sound so thin and hollow....
Sounds like he has the mids boosted a pretty good amount and that he has rolled off the lows. Finally, I cannot tell what kind of strings he is playing, but they definitely are not ours...overall not a typical presentation of the E5S's tone at all. But that is the thing about tone...they player EQ's it that way, so I assume that he digs it!
J
I actually thought the slapping was pretty tasteful for what it was. Funny though, I thought the fodera sounded the worst of all of them! Def not my cup of tea sonically at all....I wonder what's going on EQ wise there to make that emperor standard sound so thin and hollow....
Funny - I enjoyed the ES5 sound.
I definitely am not placing a value judgement on it one way or another as, again, "good tone" is a highly personal thing. I did, however, want to point out that the E5S in that clip is EQ'd in a pretty significant way and would not be what someone would typically expect to hear if they started off with an E5S set-up neutrally on the preamp (or running passively).