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Cobalts are probably closest and sound like some rounds with the tone partially rolled off. But that’s as close as I’ve heard. I went with them because rounds have too much zing for most of what I play, unless I eq them to death.Right now flats are getting probably 80% of my playing time, mostly Cobalts. The 20% with rounds is because no matter what people say, you cannot get a round sound out of flats.
If you only had one bass, which would you choose, and why?
Funny how this thread came up! The other night, I experimented with my two Rickenbacker 4003s (one with D'Addario Chromes and one with D'Addario NYXLs). I wanted to see if the one with rounds can emulate the one with flats and vice versa. I found that the rounds can't produce the same darker tones that the one with flats can. I also found that the flats can produce brighter tones well, but not well enough to want to switch to Chromes for everything.The question boils down to: which compromise do you prefer - rounds doing a flats job, or flats doing a rounds job?
And after a good think, have decided that Swing Bass + a tone control do better than Chromes + an expensive new strings habit.
You're a double bass player, not surprised you don't use rounds, it's the thing Hadrien Feraud pointed out "when upright players switch to electric bass for the first time, it's always a pecision with flats.... meh."I’ve been digging D’Addario Half Rounds on my main electric bass lately. Been considering trying them on others.
The same one I’ve been playing for the last 22 years. A N series MIA Fender PBj with VVT controls.If you only had one bass, which would you choose, and why?
You're a double bass player, not surprised you don't use rounds, it's the thing Hadrien Feraud pointed out "when upright players switch to electric bass for the first time, it's always a pecision with flats.... meh."
TIJFIf you only had one bass, which would you choose, and why?