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Fretless players; lined or unlined? and why?

Lined or unlined?

  • Lined

    Votes: 108 31.5%
  • unlined

    Votes: 182 53.1%
  • carrots

    Votes: 53 15.5%

  • Total voters
    343
Give it time, and you'll get razor sharp accurate!
I doubt it, without lines. Played fretless professionally for decades. I can't make the jump accurately if I can't feel or see where I'm jumping to without hearing the note first. And tapping the string to hear it is the only way, and everyone can hear it, not just me.

But... thanks for the vote of confidence... I AM trying to get so good that I can jump anywhere on the neck and nail a note without anything to feel and guide me... practice makes ... well, pretty good
 
It really doesn't matter. Most of us pick one and stick with it. My first fretless bass was an unlined Peavey Cirrus, which is quite possibly the ONLY unlined fretless Peavey ever made.

I do a slight twist and put side dots at every "fret" up top and dots between the high strings of 6-7 string basses for parallax. I mostly do this because I am constantly jumping between guitar and bass with different scale lengths. For me, it helps me adjust and adapt a hair quicker when I switch from one scale length and/or number of strings to another. I used to routinely swap between a 35" scale fretless 6 string to a 30" scale fretless 4.
 
For years I've owned a few defretted basses with styrene inlays.
In 2017 I had an unlined ebony fingerboard applied to my lined rosewood sixer.

After four years I've come to a point of decision.
  • I like the sound of rosewood over ebony.
  • I like having lines.Especially when playing up in the "Ionosphere"
  • I need to "cull the herd"


So I am now in the process of defretting my fretted Tune TWB.
I will inlay styrene strips as before.
I will sell the unlined fretless TWB and the seven string guitar.
Leaving me with my N/S Stick,Ibanez BTB676 and my newly converted fretless.
Three 2.1.JPG
NS stand plucking.jpg
RGA 732.jpg
 
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I like to quote a friend of mine who quoted a friend of his:

"If I'm going to work that hard to play fretless, I want the audience to know it." I have an old lined fretless in addition to my three unlined. I'm not any more in-tune on it, and the lines might fool me into ignoring my ears and thinking I am.

You mean he wants the 2 or 3 chin stroking musicians in the audience to know it.

I'm settling on fretless because it more closely matches the sound I have in my head than fretted. I'm down with lines for now, and unlike what seems like the majority of lined fretless, mine intonates perfectly up and down the neck if I always 'fret' in the same spot.

I could see my self going the mini ghost lines route ala the Ibanez Portamento eventually cause if you're standing up lines don't mean squat..but I feel like I'll always need some kind of visual reference, since the EBG doesn't the haptic feedback like a DB.
 

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