Roughly 1:15 into the video... "The body shape is new" for the series 750
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Well, sure.Didn't they make the body a little bigger, rounder at the back?
Now if we can only get Conrad on board. . .
Nice short-scale 6 string piccolo bass!

Thanks man.LB-100.
Alnico equipped pickup, closer to a "traditional" precision.
SB-1.
MFD equipped. Ceramic pickup.
Big, clear, full.
Located a bit closer to the bridge.
SB-2.
MFD P & J. No tone control.
The J is meant as a "flavour" adder.
To be honest, I feel an L-1000 is a better P than an actual P, TO ME.Thanks man.
I get thrown by all the knobs I always see on the 1000s and wasn't sure what to look for.
Okay lemme come clean.I will just add that the sb1 and 2 have the smaller contoured bodies that are fantastic feeling.(they share the same body with the Kiloton, which is so far my favorite GL bass I've owned.)
Ded i tried to quote you too here but it didn't work. Thanks for the input so far.
I had one of the LB100 basses, and traded it for an L1k.
I concur with dedpool about the L1k being an even better P bass.
The L1k body is a bit smaller than the lb100, too, which I like.
If you can find one, Fender made a Stuart Hamm signature bass that was JPJ.Okay lemme come clean.
I want a G&L version of a Tony Franklin.
What comes close?
Also, why, on a P, does no one ever put a J pickup between the P pickup and the neck?
Why always as a bridge pickup?
Cool will check.If you can find one, Fender made a Stuart Hamm signature bass that was JPJ.
LB-100.
The J is meant as a "flavour" adder.
Here is the later versionHoly moly that Stu Hamm is cool but that preamp is more than I wanna ever think about. Love the configuration though.