Or something like this, except full MFD, with or without preamp.On that note, what do folks think of a Kiloton with a M series preamp?
Who knows maybe it would be a thing.![]()
TalkBass has been independent since 1998. Add your voice.
Create a free account to reply to discussions, view embedded media, and browse with fewer display ads.
Join free Log in
Want zero display ads or expanded classifieds tools? Compare plans.
Or something like this, except full MFD, with or without preamp.On that note, what do folks think of a Kiloton with a M series preamp?
Who knows maybe it would be a thing.![]()
I'm one of the weirdos that actually prefer the M series…just by a smidge.
Thanks for all the replies. I do know, based on what I hear, that the bass will cut thru the mix easily. Maybe that is where it shines.
The bass has deep lows as well. It's the highs that are not where I want them. . I'm going to spend some time with it today. I have a jam session that I will be taking it to.
Maybe some stainless strings will help with the highs?
I can confirm what Tony says here. In my experience the M Series are actually G&Ls most tonally versatile bass. For the moment I've shed my others in favor of keeping my M2000 but may add an SB-2 as well.For those who love MFDs and want control of the mids.
You might want to try the M series.
You can make the M series as scoopy as EMGs DCs or in your face as much as a mix can handle. It's my personal favorite at this time with G&L.
I would be highly in favor of it. As much as I enjoyed what my Kiloton could do I also found it more limited tonally than I wanted and moved on from it in favor or keeping my M2000. I would love a Kilo with an M Series pickup and preamp along with a wider 1.675" nut width like my M2000. I would definitely be a buyer.On that note, what do folks think of a Kiloton with a M series preamp?
Who knows maybe it would be a thing.![]()
I had an M series bass. In the end, I felt the pre amp was a tad sterile. The l-2500 that I own is lively and quit a contrast un comparison.
That is why I purchased a 2k. But this bass is over the top mid heavy. Not like my 2500.
Even though I have it for sale in the classifieds, I am going to continue to work with it. I think there is something there with this bass. I'll run it thru my live rig and eq it a bit.
Maybe some stainless strings will help with the highs
www.drstrings.com
Oh, I'm an eq hound. I explore every feature and aspect of any piece of gear that I aquire.Are you using it passive or active? I used my L2500 passive for years, then one day decided to start playing with it in active and even treble-boost modes. The treble boost can be shrill when soloed, but if you tame it with the treble knob and put it in a mix, it sounds great. As usual.
Also, don't be afraid to use EQ on the amp. I've gotten some great sounds from my L2500 with some EQing that I might not typically use on another bass.
I do. And Ill be listening Tony.I have absolutely zero pull over there other then I get feed really well by them when I visit. I'm just an artist.
You never know what they might develop next.
Side note: For those if you who watch the Food Network, you might here the M-2500 doing it thing in some of the bumpers, even in some in some short slap parts.
Thanks for all the replies. I do know, based on what I hear, that the bass will cut thru the mix easily. Maybe that is where it shines.
The bass has deep lows as well. It's the highs that are not where I want them. . I'm going to spend some time with it today. I have a jam session that I will be taking it to.
Maybe some stainless strings will help with the highs?
It's the new MFD Jazz single coilsIt looks like something from instagram is supposed to be there. Thankfully my blockers prevented this.
Could you please explain what you're trying to share?![]()
I've had some issues with my L2500, especially in series mode. My Xotic BB Pre, for example, can be more distorted than I want even with the gain all the way off. I've had a few other pedals that tend to overload and distort on the loud notes. Rolling back the volume control certainly helps that, but I often have a preamp up front that can roll back the level, or I'll use a Radial AB switcher with the 2nd channel trimmed back.For those of you with pedalboards - did anyone have issues with L2K having a too hot output (even in passive mode) and not playing well with pedals?
I use a basic 3 pedal setup with my L2K consisting of Compressor > Overdrive > Chorus. I had to make some fine adjustments, but for me having the compressor first seems to be a good thing. Also, I backed off the volume knob on the bass just a tiny bit which also helped. Overall, my L2K and my pedals work and play very well together.For those of you with pedalboards - did anyone have issues with L2K having a too hot output (even in passive mode) and not playing well with pedals?