• TalkBass has been independent since 1998. Add your voice.
    Create a free account to reply to discussions, view embedded media, and browse with fewer display ads.
    Join freeLog in
    Want zero display ads or expanded classifieds tools? Compare plans.

G&L Club Part 7

guys, I wasn't even playing bass in 2008. What was "BABP" in relation to some special runs of basses in the 2008 timeframe?
There was an online forum called badassbassplayers (or BABP for short) who had a special run L1000 made, if I recall. They may have had other special run basses made as well. They still exist on the facebook:

BadAssBassPlayers.com
 
Anyone got Rally Red CLF L-1000? I usually really dig red basses, but I'm still on the fence which color Wunkay to get (CLF vesion).

I'm quite curious about the Royal Purple too but I generally don't like sparkly finishes. Old school tobacco burst is very nice, but my P is already sunburst so I'm not sure if I want another similar finish. Natural is classic too, but those are usually heavier due to ash bodies.

I kind of wish they did a darker red/transparent red with a rosewood neck. Like the old classic ones. Like their LB-100 in Whiskey over empress, that would look killer on a Wunkay.
I didn't think I would like white, but I love it. I have a vintage white Sandberg California and the white white Kiloton (Kayton). Love them both.
 
  • Like
Reactions: mouthmw
Thanks TDR! Noteworthy from a functional perspective is the neck is amazingly stable and never developed fret sprout. I've never had a bass that didn't develop at least some sprout after spending time in Denver.

Well, for what it's worth, I spent 6 years in Denver, plus another 6 in Salt Lake City, and never had any fret sprout issues with my L-2000...
 
I certainly will sir! Do you ever miss it, or is the burst one sufficient for all your single coil MFD needs?

Lately I have been messing with compression and found that the old SB2 shines with a somewhat heavier dose of it. It shines! Like Shiny McShine.
I do indeed! But I miss almost every bass I've ever sold (except for that &^%@*#^ Kramer with the aluminum neck). The 'burst JJ SB-2 keeps me out of trouble. The blue one is a little nicer. :) I do belive that the 'burst one is about to get some mods inflicted upon it... We shall see.

I'm glad you're enjoying Shiny McShinyface. Here's Bursty McBurstyface (and a few friends!).

Screen Shot 2018-08-28 at 10.15.23 PM.png
 
Last edited:
Nice arsenal there, MMD. What are the other 2 basses in the picture? And what's the MM cabinet? It looks too short against that B15N to be a 115RH cab...

The picture in that post of my fretless L2K is cropped from a picture of my small (but nice) bass collection. The entire picture is below. The bass on the far left is a 1979 Music Man Sabre bass. The amp and cabinet behind the Sabre bass are my Music Man HD150 head on top of a 212RH cabinet. I picked that rig up in 1980. On the far right is my newest bass, a G&L SB2T next to my SB2 tribute (what a great bass for $300 used!!). My 1966 Ampeg B18N is sitting behind those basses. Those Portaflexes sat on wheels, so the MM cabinet sitting next to it appears shorter in the photo. From what I recall, the 115RH cabinets were the same size (or at least very close) as the 212RH cabinets

IMG_9722e.jpg
 
Oh, I'd forgotten that Ampeg made a B18. But even then, that 212RH cab was a little short to be a 115. (I've just dug my late 70's Rock 'n' Roll stack out from under all the garage detritus, so it caught my eye.)

Nice variety in that harem -- 12's or an 18 -- and I bet you can get a lot of different tones out of those 4 going into that pair.

Nice.
 
I do indeed! But I miss almost every bass I've ever sold (except for that &^%@*#^ Kramer with the aluminum neck). The 'burst JJ SB-2 keeps me out of trouble. The blue one is a little nicer. :) I do belive that the 'burst one is about to get some mods inflicted upon it... We shall see.

I'm glad you're enjoying Shiny McShinyface. Here's Bursty McBurstyface (and a few friends!).

View attachment 3809021

Well burst my britches! :D I try not to dwell on the past with sold basses. The ones I regret selling are rare, which is why I had to have a JJ-2 again. Anyways, she is in good hands!
 
There was an online forum called badassbassplayers (or BABP for short) who had a special run L1000 made, if I recall. They may have had other special run basses made as well.

Thanks. There is a Red L1000 from the 2008 BABP run (at least it's S/N is in the range per the G&L Registry) for sale on Reverb right now. Kinda interesting that it has the side jack/no control plate.
Just passing on the info:

G&L L-1000 4 String Bass Red | Flatts and Sharpe Music Co | Reverb

yes, I'm kinda obsessing about L1000s right now
 
Last edited:
Well, for what it's worth, I spent 6 years in Denver, plus another 6 in Salt Lake City, and never had any fret sprout issues with my L-2000...

No kidding, I didn't realize you lived here for a while. So you know the dryness here is brutal. The L2K neck is still like the day I got it.

I'm keeping my fingers crossed on the PJ SB-2. I got it a few months ago so it could still develop sprout. I really hope not due to the binding though.
 
  • Like
Reactions: TDR1138
Well, looks like they have both. So I'm wondering if the white one was either changed out or incorrectly identified on the build sheet.

This is not something I'm losing sleep over but I love little mysteries, especially when just a curiosity. And in these times, lord knows I've got some time on my hands. :)

View attachment 3808902
I feel like I've seen this somewhere before?...deja vu?

;)