Ok, gang, I recommend you watch/visit the Sweetwater Gearfest this weekend. All I can officially say at this point is new fun stuff coming out.
#GearFest 2020
#GearFest 2020
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Nice looking bass man.
Is that a GZR P? How does it sound with the Labellas? I'm using Chromes with my GZR P and I find the Chromes are still a little bright and clanky (TBH they are very new, and my first foray into flats - I'm usually a round nickels guy).
Just browsing Sweetwater for GearFest news. Saw Tribute Fallout Bass (no stripes). Hoping for more than just that, but I am sure people will be happy with the new option on the Fallout.
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Hi J.C. Thanks. And good eye. They ARE Geezers. The guy I got it from had them in, but he also included the original pickups. This is my first go-round with the Geezers. I usually use Seymour Duncan SPB-1's on my P-Basses. I think the Duncans sound a bit more "vintagey" than the Geezers. I've only had this a couple days, so I'll give the Geezers awhile, then probably put the originals in to see which I like better.
The Labellas are great. I love them. Don't worry about the Chromes. They are VERY bright (for flats) when new, but after awhile they settle in and sound great. But that's why I stopped using them. I'm not real patient. I like them to sound less bright (more like FLATS!) right out of the package.
But once the Chromes settle in, they're great! Besides the Labellas, I recently tried a set of DR Legacy Flats for the first time on my American Original Fender Jazz. I've been very impressed with them. Unless I happened to get a flukey-good set, I'd put them right alongside the Labellas.
Another type of flats that sound fantastic right out of the box is the GHS Precision Flats. They were my flats of choice for years until they stopped making the regular Long Scale. They still make the Long Scale Plus, which are great for stringing through-body, but a bit too long for top loading on a 34" scale bass.
Glad to see the stripe disappearing. Different strokes I guess.
I've tried several mustangs and always been underwhelmed by the sound and feel. Maybe you get used to it but it felt a bit like a toy to me.
Im glad to see see G&L went with the massive humbucker so I know sound will be ok.
CAR + maple + Tribute pricing... my interest level raised slightly...
The factory lb100 pickup sounds great. I know I would prefer it to any emg pickup.Hi J.C. Thanks. And good eye. They ARE Geezers. The guy I got it from had them in, but he also included the original pickups. This is my first go-round with the Geezers. I usually use Seymour Duncan SPB-1's on my P-Basses. I think the Duncans sound a bit more "vintagey" than the Geezers. I've only had this a couple days, so I'll give the Geezers awhile, then probably put the originals in to see which I like better.
The Labellas are great. I love them. Don't worry about the Chromes. They are VERY bright (for flats) when new, but after awhile they settle in and sound great. But that's why I stopped using them. I'm not real patient. I like them to sound less bright (more like FLATS!) right out of the package.
Besides the Labellas, I recently tried a set of DR Legacy Flats for the first time on my American Original Fender Jazz. I've been very impressed with them. Unless I happened to get a flukey-good set, I'd put them right alongside the Labellas.
Another type of flats that sound fantastic right out of the box is the GHS Precision Flats. They were my flats of choice for years until they stopped making the regular Long Scale. They still make the Long Scale Plus, which are great for stringing through-body, but a bit too long for top loading on a 34" scale bass.
And i feel the same as you about Chromes- for me, the "settling in" period is YEARS.
Labella's Low Tension Flexible Flatwounds sound like old school thumpy flats the instant you install them, but are a whole different feel from the stiff and tensiony Chromes. I have a set on my GL JB2, and they just sound fantastic.
I've had the same set of Chromes on my L2000 for at least the last 3 years, if not longer. They sound great when they're broken in. Give em time.
I've been on a flats kick lately, actually. I also have Fender 9050s on my LB-100 that have been on about 6 years. Love them. Similar to Chromes, maybe a little less of the top end, and priced well.
I had LaBella LTFs on my L1000. Really great tone, definitely more of the thump than the Chromes or 9050s. I did just take them off and have the bass string with GHS P Flats when it got a refret. Haven't had a chance to hear them in a mix yet, but initial impressions is that they're fairly similar to the LaBellas.
I've been on a flats kick lately, actually. I also have Fender 9050s on my LB-100 that have been on about 6 years. Love them. Similar to Chromes, maybe a little less of the top end, and priced well.
I had LaBella LTFs on my L1000. Really great tone, definitely more of the thump than the Chromes or 9050s. I did just take them off and have the bass string with GHS P Flats when it got a refret. Haven't had a chance to hear them in a mix yet, but initial impressions is that they're fairly similar to the LaBellas.
I think the Fallout bass sounds awesome, but (even though it shouldn't matter) I would look ridiculous playing one.
I posted my "new" LB-100 in Post 16811. I tried to add this bottom pic to that post, but I'm unable to do it.
The original pic is a much more accurate depiction of the color; but this one with the flash shows the metallic in the paint. But this one makes the paint look lighter than it really is, and makes the pickguard look hideous. Just wanted to get the metallic to show up. Lousy camera.
The original pic is a much more accurate depiction of the color; but this one with the flash shows the metallic in the paint. But this one makes the paint look lighter than it really is, and makes the pickguard look hideous. Just wanted to get the metallic to show up. Lousy camera.
I know I sound like a broken record but my M2500 just sounds so good. I kept trying to switch to my Bongo 5 for a change now and then, but it just seems blah compared to the M. And the Bongo is a great bass... Anyway I just sold the Bongo and now have some dough for something else. Thinking JB5, Kiloton, or maybe something totally different (considering saving for a custom build)
Interesting. I definitely don't need to indulge my GAS right now, but I've found myself looking at some Bongo For sale ads recently. Never owned one, but have played a few in stores and was pretty impressed with them, especially the HH's.
So what is it about an M-xxxx that you prefer over a Bongo? Hopefully that doesn't sound sarcastic, because I really do want to hear your opinion. I've been curious about M's, too, but wasn't sure they be different enough from my L-2500.
So what is it about an M-xxxx that you prefer over a Bongo? Hopefully that doesn't sound sarcastic, because I really do want to hear your opinion. I've been curious about M's, too, but wasn't sure they be different enough from my L-2500.
- Aug 21, 2003
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Finally joined this club unofficially today on the bass side after a long term loving relationship w/ G&L guitars w/ this 1992 SB-1 in emerald:
I've loved my friend's L-2500 when I'd played it but I think this one fits me a good bit better.
The G&L herd has been thinned a bit on the guitar side in the last couple years, but here's the two I can find pics of at the moment (also hanging onto a black '95 Legacy):
1982 Fullerton red SC-1
2018 satin frost monkeypod Doheny
I've loved my friend's L-2500 when I'd played it but I think this one fits me a good bit better.
The G&L herd has been thinned a bit on the guitar side in the last couple years, but here's the two I can find pics of at the moment (also hanging onto a black '95 Legacy):
1982 Fullerton red SC-1
2018 satin frost monkeypod Doheny
Bongo is brighter and really modern sounding. The M can go that route but also has some great vintage tones. Bridge pup on the Bongo sounds great, both pups sounds really powerful and has an amazing slap tone, but the neck pup never sounded quite right to me. I think it's a little too boomy. Maybe I would like the HS model. I find the Bongo eq to be much more finnicky also, it can be hard to replicate settings quickly as the eq is very sensitive.
Also not the most comfortable bass sitting but it does hang on a strap really well.
The M feels more organic and it's hard to make it sound bad. The Bongo eq can definitely sound weird if not set well.
It's been 10 years since I had my L but the M seems more versatile to me, even without the series parallel switch. M definitely sounds more hi Fi to me
Hi J.C. Thanks. And good eye. They ARE Geezers. The guy I got it from had them in, but he also included the original pickups. This is my first go-round with the Geezers. I usually use Seymour Duncan SPB-1's on my P-Basses. I think the Duncans sound a bit more "vintagey" than the Geezers. I've only had this a couple days, so I'll give the Geezers awhile, then probably put the originals in to see which I like better.
The Labellas are great. I love them. Don't worry about the Chromes. They are VERY bright (for flats) when new, but after awhile they settle in and sound great. But that's why I stopped using them. I'm not real patient. I like them to sound less bright (more like FLATS!) right out of the package.
Besides the Labellas, I recently tried a set of DR Legacy Flats for the first time on my American Original Fender Jazz. I've been very impressed with them. Unless I happened to get a flukey-good set, I'd put them right alongside the Labellas.
Another type of flats that sound fantastic right out of the box is the GHS Precision Flats. They were my flats of choice for years until they stopped making the regular Long Scale. They still make the Long Scale Plus, which are great for stringing through-body, but a bit too long for top loading on a 34" scale bass.
Cool answer man - my Chromes are currently on a PJ bass with EMG GZR pickups, but I struggle now tonewise with any other bass than a G&L L series bass.
Think I'm gonna swap the Chromes on to one of my L2000 basses. One of them is currently sporting DR Fat Beams and for a stainless tone.... Oh my..... It sounds incredible..... But even with treble rolled off the tone is bright and aggressive. I'm thinking I'm gonna need flats to tame the tone of the L2000. Chromes may not get it done I feel so the Labellas may be the next string to try.
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