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G&L Club Part 7

I've installed the split MFD on my #1 (MIJ from 1988). It turned an already fat sounding instrument into an absolute beast! And I can still get vintage tones simply by rolling back the volume...

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How does the split MFD pickup with volume up full but treble rolled almost off sound compared to a standard Fender P? Does it get old school thumpy? Other than extra output what does the MFD add tone wise?

And while I'm firing off the questions....how does the MFD P compare output wise with the MFD humbucker? Do they have similar output with volume dimed?
 
So I've had my JB-5 for about 6 months now and I love it. It's light, it's a tone monster, and it feels and looks so damn good. But I find it has these little annoyances.

First, I had posted in here a little while back about my D tuner bending because of the case being too short. I ordered a new one and now I have to detune that peg every time I put it away. Oh well, whatever. I've gotten used to it.

Now, the nut on my jack comes loose almost every time I play it. I have to pause, mute, take the cable out, and tighten it. I've had a Lakland Skyline since 2013 and I've never had the nut loosen EVER. I have a heavily modded Squier P bass from 2000. The only thing I didn't swap out was the jack and that NEVER loosens. I know it's just one of those things that happens but for $1900 I expected to not have annoying issues.
 
So I've had my JB-5 for about 6 months now and I love it. It's light, it's a tone monster, and it feels and looks so damn good. But I find it has these little annoyances.

First, I had posted in here a little while back about my D tuner bending because of the case being too short. I ordered a new one and now I have to detune that peg every time I put it away. Oh well, whatever. I've gotten used to it.

Now, the nut on my jack comes loose almost every time I play it. I have to pause, mute, take the cable out, and tighten it. I've had a Lakland Skyline since 2013 and I've never had the nut loosen EVER. I have a heavily modded Squier P bass from 2000. The only thing I didn't swap out was the jack and that NEVER loosens. I know it's just one of those things that happens but for $1900 I expected to not have annoying issues.

I share your pain. A drop of Loctite will solve that problem. Use the blue stuff: Loctite® Threadlocker Blue 242® and you can quite easily remove the nut when you need to.

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This short video compares the sounds of an SB-1 (MFD) with an LB-100 (traditional P pickup)

Somewhere there is a video demoing an MFD at 50% volume, which moves it to a more old fashioned tone. I'll try to remember where it is!


Here it is, from 2'50" to 3'10" of this review of an SB-2 Tribute - first the MFD neck pickup on 100% volume, and then it turned it 50% volume - big change in the style of the tone


Thank you man - I think I had actually watched those demos before but wasn't sure where to start the search for a comparison. I'm really digging the SB-1 tone that Steve Araujo (spelling?) is getting.

So - a few more questions. I have a bass routed for PJ. I'm sold on the tone of the MFD P, and I think the output will be close to that of my L2000 (so that when playing live changing basses doesn't have a huge volume difference).

I know this is probably covered regularly - but is there a standard J-sized pickup that would compliment the MFD P for a slightly brighter/scoop PJ tone? I'll be honest I will mostly use just the P pickup for the tone I'm after, but having the J option would be cool. My initial thoughts are a Dimarzio Model J - but has anyone ever combined the MFD P with a standard sized J pickup with successful results?
 
Here it is, from 2'50" to 3'10" of this review of an SB-2 Tribute - first the MFD neck pickup on 100% volume, and then it turned it 50% volume - big change in the style of the tone

Thanks for sharing!
If i had the chance, I'd probably install a tone control to an SB-2 for live use. I prefer avoiding surprising my sound guy with volume changes while i get different tones.
 
Thanks for sharing!
If i had the chance, I'd probably install a tone control to an SB-2 for live use. I prefer avoiding surprising my sound guy with volume changes while i get different tones.

I really like you demo too man. I agree that a tone pot would still be super useful on the SB-2. I generally run with my bass volume dimed - if I lowered the volume to affect the tone it would also affect how well I'm coming through in the mix.
 
Yes, Korea.

Yup Korea. I've had two of them. I very foolishly sold one...I very rarely sell basses. That was one of them. I regret it to this day.

The two that I've owned have been lightweight, amazing basses. How good is the cherryburst that I still own? I got it about 15 years ago, or so. I will have to have some fretwork done soon, based on usage. I own 14 basses, it's the only one that will need that done.

John
 
Yup Korea. I've had two of them. I very foolishly sold one...I very rarely sell basses. That was one of them. I regret it to this day.

The two that I've owned have been lightweight, amazing basses. How good is the cherryburst that I still own? I got it about 15 years ago, or so. I will have to have some fretwork done soon, based on usage. I own 14 basses, it's the only one that will need that done.

John

I regret selling my MIK Tribute SB-2. That thing punched well above its weight class.
 
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