I'd like to demo some other amps that might offer a different take on the attack, punch, and slice of GK.
Lately, I've gotten philosophical about what makes an amp work in the mix...
I'm still
recovering from injuring my left index finger in August.
For the past two months, I haven't been able to rehearse, gig, jam...nada
The last time I gigged, rainwater fell on my Legacy 800, and it seems like the fans might have been affected - so I sent it in for service, hence my pondering what might be a more suitable backup.
I'm a sucker for amps and cabs that have big lows and bright highs, but it occurred to me that some of the most revered bass tones are anything but "hi fi":
The Ampeg B-15 isn't huge down low, and there's only so much treble that a 15" can produce, but it's a classic tone that fits
so well into the mix.
Another Ampeg example is the SVT 810 - which rolls off rapidly below 80Hz and above 4k - yet still became a rock and roll staple.
Similarly (and closer to home) I briefly owned an 800RB, 700RB-II, and Legacy 800 all at the same time.
The 800RB had a great sound, but the 700RB-II was my favorite due to its bigger lows and brighter highs.
The Legacy initially struck me as midrangey - but I've since come to
love how it sits in the mix.
And there was something undeniably classic and tasty about that 800RB...
My "lightbulb moment" was that classic gear didn't become classic
in spite of its limitation, but
because of those limitations...and my conclusion is that gear that narrows the bandwidth tends to make the bass punch harder and slot into the mix better.
A
literal punch feels VERY different from a slap delivered by the same hand - and that's all about concentrating vs. distributing the forces in question.
So whatever amp joins my Legacy 800, it's going to have to be a punchy beast - and I'll try not to get seduced by hi-fi tones that work best at home.