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Did you try the Ashdown combo's amp into the T-E cab?
Hi, Ive followed this thread for a while, and am a shuttle 9 owner and really loving it. However last night in rehearsal, whilst warming up and waiting for everyone else to turn up, i set up the amp with a rehearsal cabinet and it sounded terrible.
I use an active 5 string, and was straight into the amp. Hooked up to a trace (1518 I think) cab - 500w at 8ohms. Amp set up was gain set at 2 o'clock, volume at 11, eq flat, presets off master at 3 o'clock. It sounded fine for about 2 mins, then all of a sudden all the bottom dropped out and it was just a thin overdriven sounding mess with no definition or thickness to the tone. Notching down the master, and gain stages did nothing to rectify it. I plugged into an ashdown combo to check the bass and leads, and all was in order.
Went back to the shuttle and trace, and tried again - the upper range was fine, but everything on the B string and E was distorted with no guts. Turning the amp off, then on again after a minute seemed to rectify it for about 20 secs.but then back to the same. The input light wasn't on at any point, and the signal limit light (RHS top) had just started to come on.
I ended up giving up and used the ashdown combo for the night.
I havent been able to run it at home, cause i foolishly sold all my kit and should be getting my new replacement cab saturday morning - barefaceed.
So my query is: does this sound like an amp or cab issue? My gut syays its the cab and I dont trust rehearsal room kit much, but i thought I'd be able to push the amp harder than that into the cab.
If it does sound like an amp problem though, I dont want to harm my new cab come saturday.
Sorry for the length of this, just a concerned user with not a lot of knowledge/experience. cheers
What were your settings? Espicially the master volume.
You have to be careful with this amp cranking it into a cab that may not can handle it can result in damage.
My guess at this point would be the cab could not take what you were giving it.
Well the Genz Benz Uber 2x10 might be better than my Golight 2x10 I don't be knowing. Though I would look at the Uber 2x12 simply because its 4 ohms.
The MarkBass is a great amp no doubt. My only problem with it tone wise is I can not get that old school tone out of it without a pedal and the extra added power of the 9.0 is a sho nuff plus.
The 9.0 will get the old school tone or a modern tone. The 9.0 is waaaaayyy more Tube like sounding. I was pretty much leaving the MarkBass at rehearsal and taking the Genz Benz home with me and to other places. After my band-mates threatened violence, I pretty much just use the 9.0 all the time now.
The Genz Benz Bass Boost and Mid Scoop buttons I like to think of as the Ampeg switches. The Mid Scoop takes you straight to SVT city and add the Bass Boost and you have imideate SVT 4x10 HLF tone. Plus they are foot-switchable.
Occasionally I play in a rock band and last weekend I ran the 9.0 through an Ampeg 8x10 and it freakin pumped that thing.
If I were you, I would go with a Shuttle 9.0. MarkBass does make an LM800 (wich I've not tried) but everyone says the LMIII sounds better. If your interested I know someone who has an LMIII for sale.
I can not say enough of how satisfied I am with the 9.0.![]()
Hi, Ive followed this thread for a while, and am a shuttle 9 owner and really loving it. However last night in rehearsal, whilst warming up and waiting for everyone else to turn up, i set up the amp with a rehearsal cabinet and it sounded terrible.
I use an active 5 string, and was straight into the amp. Hooked up to a trace (1518 I think) cab - 500w at 8ohms. Amp set up was gain set at 2 o'clock, volume at 11, eq flat, presets off master at 3 o'clock. It sounded fine for about 2 mins, then all of a sudden all the bottom dropped out and it was just a thin overdriven sounding mess with no definition or thickness to the tone. Notching down the master, and gain stages did nothing to rectify it. I plugged into an ashdown combo to check the bass and leads, and all was in order.
Went back to the shuttle and trace, and tried again - the upper range was fine, but everything on the B string and E was distorted with no guts. Turning the amp off, then on again after a minute seemed to rectify it for about 20 secs.but then back to the same. The input light wasn't on at any point, and the signal limit light (RHS top) had just started to come on.
I ended up giving up and used the ashdown combo for the night.
I havent been able to run it at home, cause i foolishly sold all my kit and should be getting my new replacement cab saturday morning - barefaceed.
So my query is: does this sound like an amp or cab issue? My gut syays its the cab and I dont trust rehearsal room kit much, but i thought I'd be able to push the amp harder than that into the cab.
If it does sound like an amp problem though, I dont want to harm my new cab come saturday.
Sorry for the length of this, just a concerned user with not a lot of knowledge/experience. cheers
OK back to the 9.0.
Anyone noticed how one can get an old school tone or a modern tone out of it? Effortlessly even.
Hi, thanks for all the repsonses - been away with no net access. I get a new cab tomorrow, so should be able to plug in to something differentwednesday - also picked up a new cable to eliminate that side of things.
Really appreciate the support and suggestions and I'll come back once I've been through it all. Unfortunately I wont be able to get to a music store or do anything more til wednesday night, so I'll be sure to let you know. Thanks again guys.
My observations using most of the current line up of micro amps on my gigs are that while they are all nice the rule is that they each do one thing well. As some say a "one trick pony". The 9.0 continues to impress me as the exception to the rule, subtle changes to the pre amp controls offer many different tonal and voicing variations. My gigs are very diverse. One night I'm thumping through a UL-610 to keep the dancers moving. The next I'm playing a dinner show at the Kennedy Center with one UL2-410. One thing that has become very evident to me is that the 9.0 has been appropriate in every one of these situations. It took some hands on time with all of these micros to sort it out, but the 9.0 is clearly my go to amp for 95% of my gigs. I am very pleased with the results and at 4 pounds all I can say is wow!
Now I'm wondering about trading in the Ashdown 4x10 and Ampeg combo for either a SWR Marcus Miller Golight 4x10 or a Genz Benz Uber 4x10.