• TalkBass has been independent since 1998. Add your voice.
    Create a free account to reply to discussions, view embedded media, and browse with fewer display ads.
    Join freeLog in
    Want zero display ads or expanded classifieds tools? Compare plans.

Get off my LAWN! "Grumpy Old Farts"

Status
Not open for further replies.
That's how we all did it back in the day. What we bought and used back then were just old, used instruments, not family airlumes®. That '67 4005WB I got in '73 was my tool for gigging, and it saw everything from sleazy college dive bars (is there any other kind? :laugh:) to big festival stages. I changed out some parts and drilled a few extra holes in it, over the years So what? I still made 45 times more than I paid for it when I sold it a few years ago.
My first good bass was a pre-CBS, '64 Precision.

I was in college as a first year music student in 1973, and my private teacher told me that I'd never get the big gigs if I continued to play my home-made solid body, which used the neck and hardware from a short-scale Harmony semi-hollow.

As a starving student, I couldn't afford a shiny new bass, so my dad picked up this 10 year old beater. It was actually pretty rare- it had the narrow A neck (like a dot-neck Jazz), and the special-order red metalflake finish. We weren't aware of that at the time; all we knew was that it played well, but it was so beat up that were able to trade it for $125 cash and a beat-up old E-V 664:

ev664g.jpg


This was long before the collector market, or any notion that pre-CBS instruments would one day become collector's items. Job 1 was to strip off the polyester finish and paint it black. While I was at it, I decided to refinish the neck, and get rid of those ugly cigarette burns. Of course, the Fender decals had to go too...

A few years later, I was running into situations where dicey pedals and long cable runs were sapping my tone. I used a chisel to carve a trough under the pick guard. I cloned the circuit board from a friend's MXR micro amp, and stuck that in there along with a 9V battery. Bingo- a DIY active bass!

Around that time, I stripped the body back to bare wood, stained the body a dark brown, and slapped a black Schecter pick guard on it.

Other than paint and the active circuit, the only maintenance it ever got was a minor wiring repair and a partial re-fret. I gigged it steadily until 1984, when I switched over to five-string basses.

Income from that bass not only got me through two stints in college, but helped to finance the down payment on my first house.

Considering how little I had in it, I was quite happy to sell it for $700 a few years later. No-one had any illusions that it was a collectors item, after all it had been through.
 
Happy Soulful Sunday...



What a group.

Smokey was a prolific writer. He impressed Berry Gordy with a notebook of a hundred songs that he wrote while in high school. He enrolled in an electrical engineering program but left after two month because he had his first hit and needed to tour. He never looked back. The Miracles released Shop Around in the fall of 1960! It sold over a million copies and helped make Motown.

The classic Miracles lineup included Claudette Rogers.

2D7A41A6-3B31-40AB-B240-2A74697013D5.jpeg
 
As it should be. We didn't care about resale value back in the day. We cared about having a tool that worked for the job we had to do.
I bought my 67 NR TBird in 73. I still have-and play-it. It ain't goin' nowhere 'til I do. I've sold instruments that didn't really 'work' for me or that weren't being used and I have some older(heavy)PA gear that nobody wants, even as a donation.
 
2 gigs in a row where I'm squeezed into a corner. Had to use the Squier VM Jag SS. Next weekend it's back to the TBird.:hyper:


Most of the 'Ray's headstock dings are from cymbal collisions in confined spaces. The rest is because the finish is brittle after 40 years. The intention of the Chowny CHB-1 - one of the intentions - is to reserve the Stingray for special occasions. It feels like "home" each time I pick it up. But just don't pick it up that often. Which leaves me searching the field for a short scale. But not with any urgency.
 
Most of the 'Ray's headstock dings are from cymbal collisions in confined spaces. The rest is because the finish is brittle after 40 years. The intention of the Chowny CHB-1 - one of the intentions - is to reserve the Stingray for special occasions. It feels like "home" each time I pick it up. But just don't pick it up that often. Which leaves me searching the field for a short scale. But not with any urgency.
There's a nice SS TBird for sale(not mine)in the TB classifieds.:smug:
 
Status
Not open for further replies.

Latest posts