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Get off my LAWN! "Grumpy Old Farts"

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Then there’s Nashville notation as well which is something completely different.

Some notation software will allow you to print notes or tabs or both as well as chords.

Since a note or chord can sound different depending on where it’s played on the neck, as long as the notation format indicates where on the neck each note should be played and how it should be attacked, up stroke or down, hammer on or pulled off it’s good. Then there’s alternate tunings. Maybe tab is better for guitar.
I'm not a guitarist. I'm an ex saxist. I guess I could see where the positioning would be useful for 'those' guys.
 
Excuse me. I guess I meant chord charts. You know, lyrics with chord letters over (mostly) the changing word or syllable? Although, I have occasionally found actual tablature to be helpful, I just as often find them to be wrong! :confused:

I guess I have a phobia about calling them chord charts 'cause someone will say, "He reads charts!" and hand me sheet music, which I perceive only at a very, very, most basic level. Yeah, OK, I'm not a "real musician" 'cause I can't read musical notation. Well, I run into so many people who do read music to the extent that they can't play a song without it! I'd rather be me. :)
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We had a trumpet player in H.S. that could read anything and transpose-if necessary-at sight. Couldn't 'fake' his way outta tissue paper. He's made a fine living as a symphony player/teacher.
My bass playing started out as watching/listening to the piano man in a PDB trio. But, I took piano for about 8 years including 2 years of reading 'lead sheets'. Everything applied.
 
I find tab useful, but then again, I can't read music....

"No such thing as can't"...I hear you cry....

Well, tell that to the half dozen, or so, teachers that have failed to teach me starting from the age of ten!....

One teacher described me as 'notelexic'.....:whistle:....

However, If I can hear it in my head, I can pretty much play it, with a little help from tab where my head has got it wrong....:thumbsup:.....

Weird creatures...people....:D
:roflmao::roflmao: "Notelexic"-Love it!
 
Oh yeah, sure, raised here to read music in a traditional educational system. University music theory is all this writing triads in chord sequences ... played on the piano it sounds like 17th century liturgical music. But does absolutely nothing to teach you how to play with others who know how to play and can't read music for [beans].

Which is where I landed when the cool guys wanted a sax player for their band. "Where's the music?" because I had absolutely no idea what to do without a score.

Really should buff my reading skills. It's a funny thing, we are taught to read in our native language. And even if we don't read or read very little (menus, traffic signs, brand names on everything), we never actually forget how to read. Stop reading music and it takes a while to reboot that skill. What's with that?

The Real Book was when music theory started to make sense to me. One light goes on, then another and another and begin to see inversions blah blah woof woof and I'm still learning ... learning if I have a chart, I can fake it. Real Book, indeed.

Here on Blues Monday we have some guy who plays upside down

 
Then there’s Nashville notation as well which is something completely different.

Some notation software will allow you to print notes or tabs or both as well as chords.

Since a note or chord can sound different depending on where it’s played on the neck, as long as the notation format indicates where on the neck each note should be played and how it should be attacked, up stroke or down, hammer on or pulled off it’s good. Then there’s alternate tunings. Maybe tab is better for guitar.


What I find with tabs is the "suggested fingering" may or may not be optimal for me. And I'd just as soon figure out lots of finger sequences for a passage. Something inside me wants to be able to play the same passage as well "the hard way", than in a box pattern.
 
What I find with tabs is the "suggested fingering" may or may not be optimal for me. And I'd just as soon figure out lots of finger sequences for a passage. Something inside me wants to be able to play the same passage as well "the hard way", than in a box pattern.

Open notes can ring differently. Sometimes the only way to nail a song is to play it as the writer intended. Other times alternates are good enough.

It can also have to do with playing efficiency. Some like to take the harder road as you said.

I lost my ability to read music in real time long ago. Being dyslexic doesn’t help. I learn and memorize or fake my way through it with feeling.
 
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Open notes can ring differently. Sometimes the only way to nail a song is to play it as the writer intended. Other times alternates are good enough.

It can also have to do with playing efficiency. Some like to take the harder road as you said.

I lost my ability to read music a long time ago. Being dyslexic doesn’t help. I learn and memorize or fake my way through it with feeling.
You play jazz?:smug::rolleyes:
 
You play jazz?:smug::rolleyes:

You guys are killing me today :laugh: and I have to leave for the doctor's in an hour to see what all is indicated.

For me, being able to execute a passage "the hard way" means more options depending on where I'm going. I believe it was Phil Lesh who said "if you play an open string, mean it." What I see is folks who play the doghouse are more likely to incorporate open strings in their technique.
 
You guys are killing me today :laugh: and I have to leave for the doctor's in an hour to see what all is indicated.

For me, being able to execute a passage "the hard way" means more options depending on where I'm going. I believe it was Phil Lesh who said "if you play an open string, mean it." What I see is folks who play the doghouse are more likely to incorporate open strings in their technique.
Watching a player who came from UB to EB is interesting watching positions vs fingering. I'd be lost on an upright-or a fretless-having to break very old bad habits
 
:rolleyes:
. . .
I lost my ability to read music a long time ago. Being dyslexic doesn’t help. I learn and memorize or fake my way through it with feeling.

Neither does not being dyslexic :rolleyes:

I was stumbling along OK in bass clef but wanted to play some melody lines. Started on treble clef. Now my brain gets stuck in one or the other, or someplace in between and I can't read a d@mn thing. It's scary. Probably because I started so late. Still, I can't imagine how piano players do it.
 
:rolleyes:

Neither does not being dyslexic :rolleyes:

I was stumbling along OK in bass clef but wanted to play some melody lines. Started on treble clef. Now my brain gets stuck in one or the other, or someplace in between. It's scary. Probably because I started so late. Still, I can't imagine how piano players do it.
I went to a H.S. reunion where they had a bunch of old band members playing school songs. I was on tenor, which is what I played in marching band. I was reading the same music I'd played hundreds of times.Why was it wrong? Oops! Treble clef, fool.:bag:
 
:rolleyes:

Neither does not being dyslexic :rolleyes:

I was stumbling along OK in bass clef but wanted to play some melody lines. Started on treble clef. Now my brain gets stuck in one or the other, or someplace in between and I can't read a d@mn thing. It's scary. Probably because I started so late. Still, I can't imagine how piano players do it.

Piano players finger it out. :laugh:
 
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