What I'm thinkerating is something to mark the completion of Ari's course come October. The G&L Tribute Fallout and Sterling by MM Stingray lead the pack. Two marks in the debit column for the G&L for no offerings in blue and a four-in-line headstock. Two marks in the gains column for the MFD with the OMG switch, and the "I'm giving someone who griefed us with a lawsuit a finger if the headstock is turned upside down." Also the saddlelock bridge, so it's G&L by a hair.
The Stingray shortie would be instantly familiar and comes in powder blue with a mother-of-toilet-seat pickguard, so it's a draw.
A 2+2 headstock is what always looks right to me on a bass. Hagstrom Swede might be a bit hard to find.
Looks like someone here likes humbuckers.
My total experience with a jazz bass can be summed as "tones that don't feel organic to me". That's not to say they are, or aren't. Took me a crazy long time to dial in something. There's the Mustang and it's four-in-line headstock <yawn> but I kind of like the vintage split pickups. A little. Me no like the PJ. I mean, the very first thing I'd do is tear out the J and drop in something humbucking.
The other route, long entertained, is the Gretsch Jr. Jet on a rolling upgrade path. TV Jones, Gotoh, and it would always feel to me like fitting a Rolls Royce grille on a VW Bug.