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Have a chance to get my hands on a G3 this week
Seems to all add up! And from the photos, am I right in saying that the neck *seems* straight?
Know it’s hard to tell from the images, but it’s a long journey so want to be as sure as I can before I go!
EDIT: I noticed and looked into the logo placement on the headstock as it looks just a little high. But it seems like Gibson could be a bit slap dash (especially the later G3s).
I was wondering what my ‘65 EB-O (in my avatar) is worth and why the values are so much lower than those of Fender’s of similar vintage?
The issue with neck mudbucker Gibsons is folks dont use a semi parametric EQ to shape the sound...everyone seems to use flats as well which limits the tone possibilities.I was wondering what my ‘65 EB-O (in my avatar) is worth and why the values are so much lower than those of Fender’s of similar vintage? I know the real answer of its value is whatever someone is willing to pay, which fluctuates over time. My guess is the market is much bigger for Fenders, especially 60’s P basses. I’m thinking of letting mine go and starting to see what I’ll get for it. I just dont play it and it’s getting antsy in the closet. I think it’s going through a mid life crisis.
Personally I'm a big fan of the mudbucker - I have owned two single-pickup Gibsons, a late-'60s EB-2 and a late-'60s Melody Maker. But my impression over the past 20 years is that people don't understand them. The mudbucker seemingly puts out ZERO treble, but rather than try and EQ it, I ran with it and either used it as a dub machine or thru distortion/fuzz and effects, like this:I was wondering what my ‘65 EB-O (in my avatar) is worth and why the values are so much lower than those of Fender’s of similar vintage? I know the real answer of its value is whatever someone is willing to pay, which fluctuates over time. My guess is the market is much bigger for Fenders, especially 60’s P basses. I’m thinking of letting mine go and starting to see what I’ll get for it. I just dont play it and it’s getting antsy in the closet. I think it’s going through a mid life crisis.
Personally I'm a big fan of the mudbucker - I have owned two single-pickup Gibsons, a late-'60s EB-2 and a late-'60s Melody Maker. But my impression over the past 20 years is that people don't understand them. The mudbucker seemingly puts out ZERO treble, but rather than try and EQ it, I ran with it and either used it as a dub machine or thru distortion/fuzz and effects, like this:
What other basses do you play? What kind of sound(s) are you going for?
Wow that looks great! I’d love to see a full bass picAn "Aged White Pearl" pick guard to differentiate my SG Standard from the rest of the world, lol
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