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GK Fusion S now available!

With those amps, the A/B switch simply switches between two sets of identical gain and master controls. There's only one actual preamp channel.

That's the way many channel switching preamps work, especially those that use tubes. Two sets of controls are switched around the amplification path. In this case the tone controls are not switched and are common to both channels.

My Mesa Titan works is a notionally similar way. It has four tubes and two channels that have gain, tone controls, an OD section, and a master volume. Two tubes are always in the circuit. So when you switch from Channel 1 to Channel 2, you are switching the controls, but not the gain path.

The Titan's high gain section is a bit different than the GK. On the Titan, the engaging the OD circuit brings in two additional tubes, plus an OD Gain and OD Level control; so you can set the degree of saturation, and balance the distortion level against the clean level . The two tubes for the OD circuit are shared by both channels as well; so if you switch channels you are really just switching the controls and not the gain path. Basically you get all of the functions of a two channel preamp except one thing...Basically you can't use both channels simultaneously.

Obviously the Titan is a bit more flexible than the MB Fusion since it has two sets of gain controls and each channel can be switched to add a cascaded high-gain section. But it works basically the same as the MB Fusion, and both are considered a two channel switching preamp.

I think the idea is to minimize the amount of components. To make a true two channel preamp, you would need to double the tube count. In the case of the MB Fusion I don't think there is room for six 12AX7s. There's room in the Mesa for eight 12AX7s, but they probably needed to limit the cost as it was supposedly an extremely expensive amp to make already.

I have another channel switching amp as well, my Epifani UL902C. Each channel has only gain and tone controls, as it is not intended for distortion. I don't know if it shares the gain path like the MB Fusion and Titan; I suspect it doesn't since it is solid state. But you can't use both channels simultaneously, so you never know.
 
Is there another lightweight high power amp on the market that has three 12ax7 tubes in it?
The Legacy amps seem to be priced right at everyone else's pricing.

The Mesa Subway WD-800 is $200 cheaper. It has one tube. But it's not the number of tubes that's important, it's how you use them.
 
I am wondering what the difference between the existing Fusion and this one is. Did they just change the chassis? Was the redesign just for more room for the tubes?
In this model as compared to the older fusion is at least this (I’m sure I’m missing some since I only played this unit and do not have one in my hands) is the following.

-The drive section is completely redone and can be driven harder and with more saturation.
-The poweramps are newer design and work fine with a 2 ohm load.

There are more aspects but like I said I didn’t dive heavy yet. I’m sure I will but right now I’m still all about the Legacy.
 
Tubes or not the 700RBII and the 1001RBII have that GK "bark" to them that I've not heard from any other series bass head. It seems totally unique and I don't hear it in their Class D offerings, great as they are. Long live RBII's!
I have a 1001RBI that I love and still play, HOWEVER, I'm diggin' my Mesa WD-800 and find that it's the closest thing to whatever the topology of the RB is. I like it better than any other class D head I've ever played :)
But I understand, that's just me :)
 
What happened to the built-in tube driven compressor that these were supposed to have?

Also, I think GK has lost the plot on their pricing lately. The neo cabs are almost Mesa prices and these are actually more than the Mesa class d amps!
 
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I have a 1001RBI that I love and still play, HOWEVER, I'm diggin' my Mesa WD-800 and find that it's the closest thing to whatever the topology of the RB is. I like it better than any other class D head I've ever played :)
But I understand, that's just me :)

Well, so far anyway, I have managed to resist purchasing a D800+ or WD800. I have accomplished this by avoiding GC and Sam Ash here in town. I don't know if I could hold back if I saw one of those dang things and started playing through it. I've heard the original D800 live, and it's impressive.

I don't need a new bass head. I want a new bass head. Specifically, I want a new bass head like yours!

I'm perfectly happy with my Ampeg SVT7-Pro. It has the new mother board now with the proper aux power supply controller chip. I glued a little heat sink on top of that chip just for safety sake, and the amp is rock solid now. It sounds typically gorgeous. Definitely has the juice down low. I still want a bass head like yours anyway!
 
Well, so far anyway, I have managed to resist purchasing a D800+ or WD800. I have accomplished this by avoiding GC and Sam Ash here in town. I don't know if I could hold back if I saw one of those dang things and started playing through it. I've heard the original D800 live, and it's impressive.

I don't need a new bass head. I want a new bass head. Specifically, I want a new bass head like yours!

I'm perfectly happy with my Ampeg SVT7-Pro. It has the new mother board now with the proper aux power supply controller chip. I glued a little heat sink on top of that chip just for safety sake, and the amp is rock solid now. It sounds typically gorgeous. Definitely has the juice down low. I still want a bass head like yours anyway!
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The only reason I have it was, 36 months same as cash, $28 a month :)
 
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I love the design and applaud the addition of an aux-in feature.....but my main, reflexive thought is.......smokin' deals on the MB500/800 ;-)

I paid $750.00 for my Legacy 800.

Right before these new(er) Fusions came out.

Amps are beginning to get like TV's, and Smartphones - Buy one now, a newer one comes out tomorrow.