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Go big or go home

Well.... you can always mic it and go through the monitors if it’s not enough.
Or just use your IEM's
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Went and saw a national Led Zeppelin touring act at a music club in Pittsburgh last week. The opening band's bassist had an SVT head on top of two Mark Bass 4x10s and a 5 string Spector. Couldn't hear s$%^ from him for the whole set, nothing, like zero.

The Zep touring band comes on, bass sounds thunderous, punchy, grindy, amazing. It was played by a 98lb Asian woman using a class D head and a 2x10.........

My guess is the soundguy saw the first guy's rig and was like, "ummm nope, not going to give you any help Mr. Tough Guy".

Giant club PA system >>>>>>>> 16x10 bass amp.

Some folks play thier big amps so loud that the sound person has to turn them down in the P.A. leaving the big amp onstage to just "Beam" to those directly in it's path. (But it seems like the sound person should have given a better "fix", um, maybe a better mix!)
 
Some folks play thier big amps so loud that the sound person has to turn them down in the P.A. leaving the big amp onstage to just "Beam" to those directly in it's path. (But it seems like the sound person should have given a better "fix", um, maybe a better mix!)
If the bass player won't turn down, how would you suggest the sound guy fix a bass player problem?
 
I think you missed the intent. It 'seems' the mix is off to the audience.
Well, if the bass is too loud off the stage, screwing up the mix, what’s the sound guy expected to do? Think it through before you answer.
 
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It's just simply reversed itself. Take the little stuff out, and play the big stuff at home. I play drums out in the World and used to play 2 16x24, two rack, two floor and seven cymbals. Now, I play out with a little Ludwig 4 piece girly man with two crashes and a ride and get volume complaints. Bass player has a 2x10.
 
I am down to 4 rigs....
1. Hartke 350W plus 300W 4x10 Transporter - Great for smaller gigs, pubs and rehearsals
2. Hartke KB15 (500W) be really maybe 200-250W Combo and the best of the Kickback range to my ear.
3. Marshall VBA 400 into Marshall VBC 4x12 Cab (Bass player heaven)
4. Marshall JCM 800 Bass head into Marshall VBC as above.

Because I have a range of basses covering solid body, semi-acoustic, acoustic and Active electronics, these amps cover a lot of flexibility though I could lose 2 of them and still be covered very well.
 
It's just simply reversed itself. Take the little stuff out, and play the big stuff at home. I play drums out in the World and used to play 2 16x24, two rack, two floor and seven cymbals. Now, I play out with a little Ludwig 4 piece girly man with two crashes and a ride and get volume complaints. Bass player has a 2x10.
Small is the new big.
 
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Those amps are the bomb. As is Tal. I have two of the EBS's as well and a Fafner II. The Fafner replaced my SVT (I still have the cab though...in a roadcase no less) but I haven't used it in several years. I'm mostly now playing a Markbass 112p or my Kemper. I miss the big rig and especially the pressure off the cab(s) when playing, but I'm in my 50's and not willing to heft it up stairs anymore. I don't sell it because my son, a drummer and budding bassist, will inherit it and doesn't mind moving it.
 
Did a sub gig once. Regular guy uses a Trace rack rig into 2 Trace 4x10's. Was told he takes almost an hour to setup. I brought a Genz 4x10 and a Shuttle 6.0. Setup in 10 minutes. They looked at me and said "is that it?". Stage was full of bass.

An hour? All I ever had to do with my rack was plug in my power conditioner, cabs and my instrument cable. Bam. Done. Even with a pedal board, add 2 more minutes. Full band set up in 10 minutes that includes members helping drummer bring already set up drums on stage so it's just positioning and fine tuning. I don't get paid to set up for an hour lol.
 
i'll maintain that even if you do want to bring out a big rig, that rig needs to be as loud as your drummer but never needs to be any louder!

if it's a small room and your rig is supposed to carry by itself because there's no PA support, what good is that if they can't hear the drums? it'll just sound stupid if the mix balance is off.

if it's a big room and the drums are in the PA, well then your bass should be too and there's also no point in being louder on stage than the drums.

if it's a huge room then nobody will hear your bass rig anyway, they'll only hear the PA. your only goal for your rig is to generate a tone that sounds good in the house, the PA will take care of the volume out front. your best bass rig here might even be no bass rig at all.

(this is assuming adequate monitors or IEMs, where you can hear yourself without wrecking the stage mix with an overly loud amp)
 
Well, in my case it means that stuff stays home permanently. And I like it that way ;)
I'm fortunate enough (and single enough) to have sizeable stuff that never moves, and some slightly less sizeable stuff that can travel when it has to. And smaller stuff that goes to normal gigs. And some tiny stuff that goes with me to smaller gigs.