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have the D's toppled the SVT's?

I wanna try one of those too. I have a TH500 and want a Berg NV610. That's why I'm selling. With one in college, one going next year, I sell/trade to acquire. We ain't poor, but I feel better that way.

One thing that frosts me is the "if it's not a Heritage it's just not good enough anymore", or the "made in China"
prejudices around here.

When was the last CL (outside of the oh so sainted Hertitage line) made in the US...'03? So a 13 year old head is better?

Wait'll I try to sell the Hydrive...Hartke's another "just not good enough" brand around here. If it was 4ohm I'd be set, it's crisp.
 
I think I really just asked the original question 'cause I'm trying to sell my CL and it's not moving.

I'm sure it was posted a bunch through the thread but they're abundant amps and it's a buyer's market. There's one on my local craigslist that's been there for a looooong time but he's asking over market. I've seen at least 4 or 5 others come up and sell (or at least the listings disappeared) at much lower prices.

Some people are definitely moving the class D direction. Some people aren't. I have more tube amps now than I did when I bought my first class D, despite having to move amps several times a week.
 
I will choose tone over convenience every day of the week. But I'm also practical so I use both a tube amp (V4B) and a Jule Monique/M700.

I also have been known to carry my old GK MB (metal) combo or just show up with a countryman in my gig bag. I've also played a gig with a single 210AV and as much as an 810.

To me, playing in a variety of situations, this is versatility. Having choices given the situation and being able to make it sound great is what matters not the number of knobs or jacks.

As for the bickering it makes little difference what other people use I'm very happy with what I've got.
 
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I wanna try one of those too. I have a TH500 and want a Berg NV610. That's why I'm selling. With one in college, one going next year, I sell/trade to acquire. We ain't poor, but I feel better that way.

One thing that frosts me is the "if it's not a Heritage it's just not good enough anymore", or the "made in China"
prejudices around here.

When was the last CL (outside of the oh so sainted Hertitage line) made in the US...'03? So a 13 year old head is better?

Wait'll I try to sell the Hydrive...Hartke's another "just not good enough" brand around here. If it was 4ohm I'd be set, it's crisp.

I think 06.
 
Previously on TB:Amps:
@JimmyM is an Ampeg fanboy. At one point he falls out of love for their current production and turns to other stuff like MarkBass, exposing how the latter's US customer service sucks in the process. He also gets mad at TC Electronic over a free pedal he didn't receive, or something. Then TC lie about specs and Jimmy calls them out on it, like 90% of sub-forum regulars. @arai, OTOH, is a TC fanboy and pushes back hard, bringing up the missing free pedal thing. After a while, TC sort of correct their published bull, Jimmy lands an Ampeg endorsement deal and arai has become a sort of Jimmy fanboy, one that follows him through the courtyard at recess and pulls his braids at random. (But after all, ladies and gents of the jury, isn't forum stalking the sincerest form of flattery?). Case in point, a couple pages back where he kinda calls Jim an ostrich, but kinda doesn't, and also uses such offensive language as "th*" and "*f", to which Jimmy takes rightful offence. But one does not simply oppose JimmyM here: the last one who tried ended up permabanned after throwing an alcoholic tantrum over a lost battle of "Little Wing" renditions. In comes @Jeff Bonny, apparently a JimmyM fanboy himself of the more conventional kind, who, in a dramatic multipart confrontation, kinda calls arai a dick, but kinda doesn't, and even addresses him as "sport". O. M. G. But then arai does the unthinkable, throwing in the "s*n" word, leaving @Sartori, yet another Jimmy fanboy, with no choice but to take him head-on. As an interesting aside, the expression "s*n *f a b*tch" reveals its complete offensive potential after this thread: basically you can only get away with using "a" (but I would avoid it in polite circles if I were you). Where were we? Oh, yes. Why hasn't this thread already been made a sticky? We need as many TBers as possible to chime in, we need to dot our richards and cross our sons and GET TO THE ROCK BOTTOM OF THIS, DARNIT.
Meanwhile, the Ds have toppled the SVTs, or not, but c'mon, who gives a fart after all this?
Also, @One Drop is his usual, voice-of-reason self. Boring.
(Just kidding. I'm a One Drop fanboy. Love you man.)

Very well put, would be even funnier if it wasn't the plain truth, and I'm flattered by your portrait of me. In a boring way, of course, let's not get crazy here.
 
I think I really just asked the original question 'cause I'm trying to sell my CL and it's not moving.
Don't feel too bad; there are a lot of amazing instruments and gear not moving right now.

I dig the CL and will welcome one any time on my provided back line.

Anyhow, look at the awesome thread you generated. A Classic in itself!
 
Previously on TB:Amps:
@JimmyM is an Ampeg fanboy. At one point he falls out of love for their current production and turns to other stuff like MarkBass, exposing how the latter's US customer service sucks in the process. He also gets mad at TC Electronic over a free pedal he didn't receive, or something. Then TC lie about specs and Jimmy calls them out on it, like 90% of sub-forum regulars. @arai, OTOH, is a TC fanboy and pushes back hard, bringing up the missing free pedal thing. After a while, TC sort of correct their published bull, Jimmy lands an Ampeg endorsement deal and arai has become a sort of Jimmy fanboy, one that follows him through the courtyard at recess and pulls his braids at random. (But after all, ladies and gents of the jury, isn't forum stalking the sincerest form of flattery?). Case in point, a couple pages back where he kinda calls Jim an ostrich, but kinda doesn't, and also uses such offensive language as "th*" and "*f", to which Jimmy takes rightful offence. But one does not simply oppose JimmyM here: the last one who tried ended up permabanned after throwing an alcoholic tantrum over a lost battle of "Little Wing" renditions. In comes @Jeff Bonny, apparently a JimmyM fanboy himself of the more conventional kind, who, in a dramatic multipart confrontation, kinda calls arai a dick, but kinda doesn't, and even addresses him as "sport". O. M. G. But then arai does the unthinkable, throwing in the "s*n" word, leaving @Sartori, yet another Jimmy fanboy, with no choice but to take him head-on. As an interesting aside, the expression "s*n *f a b*tch" reveals its complete offensive potential after this thread: basically you can only get away with using "a" (but I would avoid it in polite circles if I were you). Where were we? Oh, yes. Why hasn't this thread already been made a sticky? We need as many TBers as possible to chime in, we need to dot our richards and cross our sons and GET TO THE ROCK BOTTOM OF THIS, DARNIT.
Meanwhile, the Ds have toppled the SVTs, or not, but c'mon, who gives a fart after all this?
Also, @One Drop is his usual, voice-of-reason self. Boring.
(Just kidding. I'm a One Drop fanboy. Love you man.)
Word.
 
No way I would buy a class D anything if I could get a V4B for the same price. Toobz!...

Word! That's what I'm thinking, too...

Hmm. Now that's an interesting proposition. An extremely versatile amp that fits in your gig bag vs a huge, not as versatile amp, that may well be about half the weight of a traditional svt but 6 times the weight of this more versatile tiny amp.
Yep, I don't even need to scratch my head over which one of those would suit my needs best

Right? that's exactly what I was thinking.!...
:D

Waffles.jpg


EDIT: Fixed post insertion. :laugh:
 
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oh the drama , nobody outside this forum gives a flyin F**K what Jimmy M or anyone else plays through, I play what I like ..... you play what you like. I've played through most everything in the last 45 years, the differences are minimal at best IMO.

though I do remember not liking those aluminum speakers much, Hartkes I think. But other than that its all good with me as long as it doesn't blow up in the middle of a gig.
 
I'm (relatively) young. I don't mind weight. If I'm ever injured or develop medical conditions that preclude heavy gear, or just get too old to haul it, Class D amps will still be there. But for now, I'm going to play big tube amps while I still can.
The deal is that in my line of work I pick up heavy stuff all day long. Stuff heavier than a tube amp. So when time comes to pick up a tube amp and load in the truck its second nature. I really never give much thought.

I also have stated this many times before. "I never heard of weight being an issue until Oct 28, 2013
 
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