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HELP! Evaluate this trade - AVRI for Custom Shop

I have a 1982 Fender Fullerton American Vintage Precision bass. It's in my avatar. It's all original with original case and pickup covers.
View attachment 4359388

I may be able to trade it for a Fender Custom Shop 1961 Time Machine Heavy Relic Jazz bass. It's a 2019. Original case and all case candy. Sweetwater sells them new for $4350.

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Good move? Bad move? What would you do?
I'm not a fan of relic'd basses so I wouldn't be considering it. My 1982 Fender Jazz is something I'd never get rid of because it ticks all the right boxes for me (60's slim C-shape white bound maple neck with 7.25" radius plus '70's era pickup spacing). It just has a great sound. If your '82 Precision doesn't tick all the right boxes for you, and you do like relic'd basses, then maybe you should consider it. I have no idea what an '82 is worth now though some folks would call it a "vintage" bass. When I think of vintage, I think of my '65 Jazz (was stolen in '76).

I'd pull the ashtray and the neck pickup covers on it. I played my '65 with the ashtray in place from the time I bought it in 1966 until it was stolen 10-years later. Reason I'd pull them is because you can really change the sound of a Jazz bass by where you pluck the strings. If you want a deeper and mellower sound, you pluck the strings over the bottom of the neck. If you want a really bright sound, pluck the strings over or behind the bridge pickup. If you want that bass to growl, dig into the strings over the bridge pickup.

You can actually adjust the sound of your bass significantly on the fly as you are playing by just changing where you pluck the strings. Need a little brighter sound, just move you plucking hand a little or a lot towards the bridge. The more you move it towards the bridge the brighter your sound gets. Conversely the closer to the bottom of the neck you pluck the strings, the darker and mellower the sound gets. Removing those covers makes it easier to change your sound by moving your plucking hand to different spots.

One other thing to look at on that Jazz if you get it is the underside of the ashtray. During the early to mid-60's Fender put mutes in various places behind the bridge pickup to give it a shorter sustain and more of a thump like a standup (not the thump you get from your P-bass). On my '65 they actually glued a strip of open-cell foam to the underside of that ashtray pickup cover. When I found it, I pulled and scraped it off and then I at least had some decent sustain on any notes that I needed to ring out for a while. I think the '61 and '62 Jazz had mutes under the strings behind the bridge pickup. If they have it and you think your sustain is too little, get rid of the mutes.
 
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One other thing to look at on that Jazz if you get it is the underside of the ashtray. During the early to mid-60's Fender put mutes in various places behind the bridge pickup to give it a shorter sustain and more of a thump like a standup (not the thump you get from your P-bass).

The CS Jazz does include the unused mute setup. Not sure if I'd install it or not.
 
One other thing to look at on that Jazz if you get it is the underside of the ashtray. During the early to mid-60's Fender put mutes in various places behind the bridge pickup to give it a shorter sustain and more of a thump like a standup (not the thump you get from your P-bass).

The CS Jazz does include the unused mute setup. Not sure if I'd install it or not.
Piece of foam works too.
 
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Yes, good questions @ajkula66. I think as I'm sitting here thinking about how to answer that I may have figured this out. I like my PBass. It plays great. And has good tone. Why mess with a good thing? Sometimes I think dollar signs go off in my head and I let that control me.
I know what you mean. $ can get in your head. Right now, my 4 year old car is worth what I paid for it new. So why not sell it? Because I like it and I can't replace it with anything better!
 
Not so much into the relic thing, I prefer my own wear and tear. So for that reason, I wouldn't trade for that bass. Now, if it was not a relic finish and close to the condition and value of your P, I'd already be posting a NBD.:woot:
 
I’d do anything possible to NOT own a FCS. That said, your ‘82 is a seasoned classic that will become only more and more irreplaceable. You can order a FCS all day, every day in any model, model year, or relic condition you want. They’ll be making more. They won’t and can’t make any more genuine ‘82 Fullerton Precisions.
This one is strong willed. But we have ways of making you buy a CS. Mwhahaha
 
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I'm still considering. Turns out I'd need to sell mine to purchase his. He's not interest in a straight trade. So I'm really considering it.

Value-wise, this should be a straight trade. His Fender CS is would average $3K on the used market. I'm not sure if you've looked at pricing for the '82/'83 AVS Fullertons lately, but those are going for $3K+, especially in the condition yours is in with the original case.

Have you played an AVRI jazz previously? They're awesome and you can get one of those for a decent price and keep your P.
 
Value-wise, this should be a straight trade. His Fender CS is would average $3K on the used market. I'm not sure if you've looked at pricing for the '82/'83 AVS Fullertons lately, but those are going for $3K+, especially in the condition yours is in with the original case.

Have you played an AVRI jazz previously? They're awesome and you can get one of those for a decent price and keep your P.

I've never played as nice a bass as his CS Jazz. It's amazing. To the collective horror of everyone here I think I might go for it!
 

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