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Hot dog, I might need a MusicMan.

I would have to agree with you, but from the opposite side of how you intended it.
Never owned a EBMM or a Sterling (for more than a day), but I just don't prefer their timbre. I've tried many. Granted, those in the OP sound good, maybe it's the rigs their running through...
They have too much of a crispy top end. They have everything set to full like they said. "That's the Stingray sound". I'm sure they had fresh rounds too. I like the Ray with the treble subdued a little. The only basses I like the treble maxed are the P bass, Thunderbird, and Ric 4001
 
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They have too much of a crispy top end. They have everything set to full like they said. "That's the Stingray sound". I'm sure they had fresh rounds too. I like the Ray with the treble subdued a little. The only basses I like the treble maxed are the P bass, Thunderbird, and Ric 4001

I don't think that's quite accurate as the 3-band EQ controls have a center detent and the 2-bands are from zero to dimes, so nothing is actually "set".

But there's no doubt, If those treble controls are dimed, man, it's teeth-chattering bright. I leave the 3-band on my SR5 in the center detent at all times (except for mellow sections, when I roll the highs all the way off). But I have seen guys dime the treble control and oooooh......:help:
 
I would go get one of the US made Subs, or Sterling.
Have it routed for a pickup +1 string larger.

You could do something crazy like a Double Smoothie, use a Nordstrand Big something and add series-single-parallel switching, make a Smoothie Jazzman, 5-string Smoothie, 6-string Smoothie if you want a custom pickup(s) wound.