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How many rosewood board instruments do you have versus maple boards?

What's your ratio of maple boards versus rosewood?

  • I only have necks with maple boards.

    Votes: 15 5.0%
  • More maple than rosewood.

    Votes: 42 13.9%
  • I have an even collection of maple and rosewood.

    Votes: 51 16.8%
  • More rosewood than maple.

    Votes: 127 41.9%
  • Only rosewood.

    Votes: 68 22.4%

  • Total voters
    303
Based on memory, without actually going through all my basses:

50% rosewood
30% "other" (bubinga, wenge, pau ferro laurel, walnut, ebony...)
20% maple

Yeah, I prefer rosewood. The smell, the looks, how it feels under my fingers... I love it.

And then there's TONE... which is where things tend to get a bit controversial.

Most of my favorite sounding basses have rosewood boards. Basses with rosewood boards seem to have a slight softening of highs/transients, and a slightly softer, "bouncier" feel (dynamics) that I personally like. But is this REALLY because of the rosewood board? This is hard to say for certain with all the variables involved. The only way to REALLY know, would be to remove the rosewood fretboard, replace it with a maple board, keep everything else 100% the same and record the bass before/after. And even then, the performance will make a difference. Move the plucking hand even just a tiny bit either way, or pluck the strings at a slightly different angle, will make the comparison void.

I can't remember ever seeing a documented recording of an actual fretboard comparison. The closest I've seen are comparisons between rosewood and maple board NECKS, which isn't really a fretboard comparison at all, because even two "identical" necks will have different stiffness and mass, and therefore different dynamic and tonal properties. Which means that every single "fretboard" comparison I've ever seen has been close to worthless. Not to mention the "fretboard" comparisons where two different instruments with rosewood/maple boards are compared. That's not even remotely close to a fretboard comparision, even if the basses are the exact same model. That's a comparison between two different basses.

All I know is that I prefer the tone and the dynamics/"feel" I get from MY rosewood board basses. They seem to share certain characteristics (tonally AND dynamically) that I happen to like. Coincidence? Maybe... But based on playing LOTS of different basses over the years, my preferences definitely seem to be leaning towards rosewood, even when I try to avoid "listening with my eyes". My least favourite fretboard wood for basses SEEMS to be ebony, based on the fact that every single ebony board bass I've played has felt too "fast" and bright for my taste, no matter what I did the the pickups/electronics.

I'm not saying I don't like maple board basses. I do. But overall, when comparing similar basses with maple/rosewood, I do seem to prefer rosewood.

My favourite sounding electric guitar has a laurel board though, and a gorgeous looking one at that! It doesn't smell as nice as rosewood though.;)
 
I'm not really a fan of necks with maple boards which I realised the other night looking around my studio.
It got me thinking about how prevalent or otherwise maple board necks are compared to rosewood.
I have 7 basses all of which have rosewood boards..... and zero maple.
Overall my ratio is 7:0

Edit: My electric guitar ratio is 3:1

After 40+ years of shining towards rosewood (or not maple), I had come across a P with a maple board wrapped with chromes. Well, my opinion began to change. Now, out of the 9 basses I own, 2 have maple finger boards and they've become, probably my most go-to basses.
 
1 maple
4 roasted maple
2 rosewood
1 padauk

My favorite sound comes from roasted maple jazz shape neck with steel reinforcement (from Warmoth) because this is the most lively and resonant sound. As a bonus, this neck is so stable I never need to adjust the truss rod.

I would add the slab rosewood is by far the toughest and the padauk the nicest.
 
Any way to toughen things up? I recall seeing a few threads on this subject but can't quite recall the details.

Riis
The latest version of the Gary Willis bass comes with a rosewood board and some kind of hard finish. Jaco used boat epoxy. Some people have varying results with superglue. But I would leave it to a luthier to say what the best method is these days.
 
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i voted "more rosewood than maple" but i don't prefer any board over another, per se. however, i always wanted a maple board (for the look) and now i have two of them.


ATM:
- 2 maple front and back copy.png red P copy.png
- 1 pau ferro BLUE PJ.png
- 3 rosewood headstock copy.png black HH iphone copy.png kapok burst iphone copy.png
- 1 "composite" (fake rosewood) Green PJ iphone copy.png

in the wings:
- 1 roasted maple
- 1 rosewood
- 1 composite (fake rosewood)

necks/boards without bodies:
- 1 ebony
- 1 ebonol
- 1 rosewood
- 1 rosewood, epoxied
 
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Even 4-way split, would you believe. 3 maple, 3 rosewood, 3 pau ferro, and 3 "blackwood" (2 based on purpleheart, 1 under construction based on Pinus Radiata)

Of the maples, 2 I built, 1 I bought. All 3 rosewoods are purchases, Paus and blackwoods are my own builds. So I've never built with rosewood, and probably never will -- Pau ferro is a much more interesting wood, and if I want darker, I'll go straight to the blackwoods.
 
Three maple. Ibanez RG550; G&L Fallout Tribute; Fender American Deluxe P.

Two rosewood. Fender Strat Plus, Seagull acoustic S6.

Two jatoba. Ibanez SDGR655E; Ibanez GSR200SMNGT.

One ebony. Gibson Les Paul Custom.

One pau ferro. Reverend Descent.

One wenge. Warwick Corvette ProLine.
 

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