In chronological order ([ red cursive text ] = don't own anymore) :
- Aria Pro II Laser Electric Classic - 34" scale, one of the last models made on the legendary Japanese Matsumoku factory, amazing bass, sounds and feels great, just almost exclusively play short scale basses now and it needs to have the frets leveled because of wear, served me well as my only bass for about the first 10 years or so of me playing bass, except for a quite brief intermezzo love/hate affair I had with a Rickenbacker.
- Rickenbacker 4003 - Hated how it felt in my hands, don't miss it one bit whatsoever
- Jerry Jones Neptune Longhorn - High end, sort of "boutique", clone of the Danelectro semi hollow short scale bass of the same name, much regret selling it, together with my current Mikro the best bass I've ever owned
- Westone Violin/Beatles Bass - Didn't like neither the feel or tone of it, and it was quickly passed on, this classic hollow body take on a short scale bass apparently just isn't for me
- Dan Armstrong Plexi Bass - Loved the look of this 30" short scale bass, but I didn't like the tone, with neither of the 2 slide in pickups it came with, or how it felt in my hand, relatively quickly passed on
- Warmoth - 4 string 28 5/8" scale bass, made from Warmoth baritone parts, sounded amazingly clear and almost piano like with a Seymour Duncan Rickenbaker Neck pickup in the neck position and a Seymour Duncan Hot Rails Strat guitar pickup in the bridge, regret selling it
- Ibanez GSRM20 Mikro Bass - absolutely love this little, just 28.6" scale, bass, the neck is the most stable I had on any bass or guitar I've owned and the fretwork close enough to perfect that I can get my string action exactly just as low as I prefer it without any fret buzz whatsoever (about 1.8mm (~0.071") low E/1.3mm (~0.051") high G @12th fret)
- Egmond - really crappy, in fact absolutely horribly bad, cheap budget late 60's short scale bass, plywood body and totally banana bend neck, whatever crappy light weight wood it might be made of, complete with a stuck truss rod
- Ibanez GSRM20B Mikro Bass - Unlike my first GSRM20 Mikro Bass this had horrible unplayable fretwork that buzzed all over, even at insanely high string action, really ought to have send it back, but as it turned out I later made good use of it's beautiful Weathered Black finish, exceptionally light weight Mahogany, body
- Ibanez GSRM25B Mirko Bass - 5 string, and my first one at that, like the other Mikro's 28.6" scale, has absolutely dead on perfect fretwork from stock, could get the string action insanely low without any fret buzz if I wanted, but some of the nut slots are cut too low and the stock pickups sound horrible, so need a new nut and a pickup upgrade before I'll play it again
- Ibanez SR306EB - 34" scale, and my first 6 string bass, sounded amazing, played well and looked good, but I had a hard time getting used to the full scale, after having almost exclusively played short scale basses for years, and there was no way I'd ever get used to the wide fretboard of a 6 string bass, I really tried and I loved the idea of it, but just wasn't for me, I send it back within the 30 days full return/refund policy of the shop where I bought it
Which makes the answer to the headline's question =
11.
My current main is made from the fabulous neck of my GSRM20 Mikro Bass transplanted to the beautiful Weathered Black finish, remarkably light weight Mahogany, body of my GSRM20B, with just an EMG Geezer Butler P pickup currently installed, wired directly to the output jack socket, and the stock side mounted barrel type jack socket replaced for a regular front mounted one, installed in one of the redundant pot holes.
Looks like this (though the white tape stripes has been removed and the DiMarzio Model P has been replaced for an EMG GZR P pickup, since this photo was shot)
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