Dumble and Fisher used big filter values. Many people think their stuff is okay. Come to think of it, I guess those are off-brands.I can think of a few exceptions to this though -- mostly in off-brands...
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Dumble and Fisher used big filter values. Many people think their stuff is okay. Come to think of it, I guess those are off-brands.I can think of a few exceptions to this though -- mostly in off-brands...
Me either. Is this The Gear Page?personally, i've never heard a Dumble that i liked, and i've played thru quite a few. i never could understand all the hype or expense. to me, they're WAY over-rated
Dumble and Fisher used big filter values. Many people think their stuff is okay. Come to think of it, I guess those are off-brands.
Higher uf value caps always make tube amps sound more harsh, stiff and brittle. i have repaired/serviced/restored thousands of vintage tube musical instrument amps in the last 35 years, and this has ALWAYS been the case. There is definitely NOT more low end (actually less!). Electronic engineers seem to always think its better to put in higher values, because in theory, it provides cleaner power, and in solid state amps, it can benefit them, but not in vintage tube amps. Ask any tube amp repairman or boutique amp builder that has alot of experience and you'll find that they agree with me.
an excellent example is the Fender Tone Master amp. I have modified more than 50 of them by replacing their 220 uf primary main filter caps (wired in series to get 110uf) with 80uf caps (also wired in series to get 40 uf) to make them sound alot more like vintage blonde Fender amps from the early '60's. every customer, from novice to expert was thrilled with the results, giving the amp more low end, depth, and compression, rather than having them 'bark' at you in their stock form. it is very surprising how good those amps really are, but only after the mod.
the reissue '59 bassman is also another excellent example. they don't sound anything like the originals, and its not just due to the vintage speakers or USA tubes. their power supply filtering is very different. the input caps on the original Bassman has two 20uf in parallel for 40uf total, whereas the reissue has two 100uf in series for 50uf total (not a big difference, but NOT the same). there's also extra capacitance on the filter output stage. the original Bassman had a single 8uf cap whereas the reissue has two 22uf caps in parallel for a total of 44uf (huge difference!). some techs just clip out one of the 22uf caps to get it closer to the original, but i always replaced them to the stock values or at the very least, rewire them to series to get 11uf.
i wish i had a nickel for how many times my customers complained that after having a previous tech go thru their amp, replacing their filter caps with higher uf values, that their amp was never the same and sounded harsh so they stopped using it. i always told them, bring it in and i'll put it back to the way it was when you loved it. it never failed.
back in the day, the CBS 'engineers' at Fender also thought the higher uf value caps were better, as do the current amp 'designers' at Fender now. Sorry, but to me they are idiots and have no business 'redesigning' amps and calling them 'true' reissues. Leo Fender was a friend of mine, and he told me that when an electronics engineer told him to put higher uf value caps in his amps to make them 'cleaner', his response was " They don't need it, because most musician's have distortion in their lives."![]()
Which input would be best to rig a phone jack for guitar on ? The phono or the tape ?
the TAPE. the phono input usually has an RIAA curve and would be unusable. this curve is to compensate for a stylus cartridge's freq response, so the bass is boosted a ton, with No high end.
Ten years ago, I was building low power, rack mount, tube guitar power amps. My design used a two EL84 A/B output stage and did just over 10 watts. I forgot what plate voltage I was running. I think 380............I can't remember.
Turned all the way up, through a 4x12 with some Vintage 30's, they sound SWEET.![]()

Yep, EL34 power tubes are often found in Marshall and Mesa amps and a pair can do 50 watts.
The EL84 are smaller lower power tubes found in amps like Fender Blues Jr, Carvin V16, and the 18 watt Marshall 1974x blues breaker. These put out up to 18 watts per pair.
They are often found in class A and class AB amps.
No I died 12 years ago!@Tubeblues do you realize that the post before yours was in 2009, nearly eight years ago?
ZOMBIE ALERT!![]()
Did I miss something? Was it not the EL84 we were discussing?