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How would you rate the flats you've tried?

Always curious how everybody's experience with their flatwounds went. I've always been a flats player so I've tried a few sets. All of these are IME and IMO, and while some sets were quality, they just didn't speak to me.

Here it goes! In no particular order

D'Addario Chromes
1st Set - 50-105
2nd Set - 45-132
I'd give both sets a solid C+
A great starter flat and my first set. IMO, they sound a bit too modern to me, are medium-high tension, and take a while to break in; when they do it's thump city! A good set but not my tea. Blue silk with a slightly rough feel

Fender 9050L - 45-100
I'd give this set a D
Admittedly, this was a rush order for a pack of backup strings, but these were the worst flats I've tried yet. Floppy and bright, I had them on for a few months but they just weren't tight enough for me. Low-medium tension and growly, with light green silk and felt a little rough like the chromes.

Curt Mangan FusionMatched Flatwounds - 45-105
I'd give this set an A
I've loved this set on every bass I've owned. Great tone with a little higher tension than the Chromes. No silk (which was interesting) with a very smooth feel. Very slick!. I loved the tone because after a few months, they broke in to a beautiful thump with a defined tone. Highly recommended!

Rotosound Jazz Bass 77 - 45-105
This set gets a B
Bright and growly with a high tension. Rough feel with red silks. If you're looking for a bright, high-tension flat, these are the ones. I also bought a set for my five string, which will go on after I'm done modding it

GHS Precision Flatwounds 45-105
This set is a solid B+
Vintage sounding and thumpy. A medium tension, smooth feel with royal purple silks. I did like them on the jazz bass that I had but took them off after a while because when they settle in, they become slightly less tense than my preference. Before they break in, they seem a bit unbalanced and take about two to three months. Sound great and vintage afterwards!

LaBella Original 1954 aka Jamerson's - 52-110
Oooohhhh ooohhhh ooohhh this set is an A+
Very high tension with an incredibly smooth feel and deep blue silks. These are my favorite flats yet, dunno why it took me so long to try them out but these are right up my alley. Very mid-present and I'll report back when they break in but for now they are still new.

I know there are a thousand topics on flats, but all seem really inconsistent with each other and I'd like to give one thread where we can all lay down our opinion on flatwounds so if anybody was searching (like I was), here's one mega topic for opinions.
 
I'm trying my second set of Chromes. Not sure I dig them.

But I do like the regular Labella DTF set with black silks. I am also using their Low Tension Flats, which are kind of dead and rubbery right out of the pack, but I think they would be good for the right project, so I'm keeping them. I have the Jamerson set, but they were so thick and sticky!
 
Always curious how everybody's experience with their flatwounds went. I've always been a flats player so I've tried a few sets. All of these are IME and IMO, and while some sets were quality, they just didn't speak to me.

Here it goes! In no particular order

D'Addario Chromes
1st Set - 50-105
2nd Set - 45-132
I'd give both sets a solid C+
A great starter flat and my first set. IMO, they sound a bit too modern to me, are medium-high tension, and take a while to break in; when they do it's thump city! A good set but not my tea. Blue silk with a slightly rough feel

Fender 9050L - 45-100
I'd give this set a D
Admittedly, this was a rush order for a pack of backup strings, but these were the worst flats I've tried yet. Floppy and bright, I had them on for a few months but they just weren't tight enough for me. Low-medium tension and growly, with light green silk and felt a little rough like the chromes.

Curt Mangan FusionMatched Flatwounds - 45-105
I'd give this set an A
I've loved this set on every bass I've owned. Great tone with a little higher tension than the Chromes. No silk (which was interesting) with a very smooth feel. Very slick!. I loved the tone because after a few months, they broke in to a beautiful thump with a defined tone. Highly recommended!

Rotosound Jazz Bass 77 - 45-105
This set gets a B
Bright and growly with a high tension. Rough feel with red silks. If you're looking for a bright, high-tension flat, these are the ones. I also bought a set for my five string, which will go on after I'm done modding it

GHS Precision Flatwounds 45-105
This set is a solid B+
Vintage sounding and thumpy. A medium tension, smooth feel with royal purple silks. I did like them on the jazz bass that I had but took them off after a while because when they settle in, they become slightly less tense than my preference. Before they break in, they seem a bit unbalanced and take about two to three months. Sound great and vintage afterwards!

LaBella Original 1954 aka Jamerson's - 52-110
Oooohhhh ooohhhh ooohhh this set is an A+
Very high tension with an incredibly smooth feel and deep blue silks. These are my favorite flats yet, dunno why it took me so long to try them out but these are right up my alley. Very mid-present and I'll report back when they break in but for now they are still new.

I know there are a thousand topics on flats, but all seem really inconsistent with each other and I'd like to give one thread where we can all lay down our opinion on flatwounds so if anybody was searching (like I was), here's one mega topic for opinions.

Have to agree with you on the LaBella Jamerson set.
These are tough on your fingers and the neck of your bass, but they are the real deal if you want this sound. If it matters much to listeners if you record your bass and use some eq and play really well and use other flats, I'm not sure. But simply to get exactly this sound it is worth the experience. I have them installed on a 1982 Squier JV Precision.

You seem to really like the high tension of the Labellas.

On the two Jazz Basses I use the most, I have Fender flats and Chromes. And it seems I like them for exact the same reasons you don't like them: their tension isn't as high as the Labellas and - although they have many of the characteristics of flats - you can even slap them.
 
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I've got an ancient set of (I think) Dean Markley flats NIP that were in a box of assorted stuff i got as part of a trade. I've also got a set of LaBella Deep talkin black nylon wound also NIP from the same box. Have not tried either because i have not had a bass with flats since my preteen days and i don't want to mess up a set of strings or a nut trying to put them on any of my basses as i've never strung a bass with flats. Am i being a wuss or am i doing the right thing.
 
Tried Chromes a few time and thought I just didn't like flats 10 years or so ago. Got a fretless bass (Tobias Growler) that I really wanted flats on and tried Thomastik Infeld jazz flats. Use Infeld strings on everything now with their flats on about half of my basses. Their flats have a great tone, the nice flat feel, without the ridiculous tension that the Chromes had. They are not cheap, but they last forever and are well worth the price.

I even like the Infeld flats on basses that do not really scream for flatwounds. Love how they changed the tone on my Peavey G-V.
 
Always curious how everybody's experience with their flatwounds went. I've always been a flats player so I've tried a few sets. All of these are IME and IMO, and while some sets were quality, they just didn't speak to me.

Here it goes! In no particular order

D'Addario Chromes
1st Set - 50-105
2nd Set - 45-132
I'd give both sets a solid C+
A great starter flat and my first set. IMO, they sound a bit too modern to me, are medium-high tension, and take a while to break in; when they do it's thump city! A good set but not my tea. Blue silk with a slightly rough feel

Fender 9050L - 45-100
I'd give this set a D
Admittedly, this was a rush order for a pack of backup strings, but these were the worst flats I've tried yet. Floppy and bright, I had them on for a few months but they just weren't tight enough for me. Low-medium tension and growly, with light green silk and felt a little rough like the chromes.

Curt Mangan FusionMatched Flatwounds - 45-105
I'd give this set an A
I've loved this set on every bass I've owned. Great tone with a little higher tension than the Chromes. No silk (which was interesting) with a very smooth feel. Very slick!. I loved the tone because after a few months, they broke in to a beautiful thump with a defined tone. Highly recommended!

Rotosound Jazz Bass 77 - 45-105
This set gets a B
Bright and growly with a high tension. Rough feel with red silks. If you're looking for a bright, high-tension flat, these are the ones. I also bought a set for my five string, which will go on after I'm done modding it

GHS Precision Flatwounds 45-105
This set is a solid B+
Vintage sounding and thumpy. A medium tension, smooth feel with royal purple silks. I did like them on the jazz bass that I had but took them off after a while because when they settle in, they become slightly less tense than my preference. Before they break in, they seem a bit unbalanced and take about two to three months. Sound great and vintage afterwards!

LaBella Original 1954 aka Jamerson's - 52-110
Oooohhhh ooohhhh ooohhh this set is an A+
Very high tension with an incredibly smooth feel and deep blue silks. These are my favorite flats yet, dunno why it took me so long to try them out but these are right up my alley. Very mid-present and I'll report back when they break in but for now they are still new.

I know there are a thousand topics on flats, but all seem really inconsistent with each other and I'd like to give one thread where we can all lay down our opinion on flatwounds so if anybody was searching (like I was), here's one mega topic for opinions.

LaBella Flats mid present? Really? They have got to be the most scooped sounding flats out there..... Right up there with the old Fender Flats. The Jamersons especially.
 
I have tried probably a dozen or so brands, and it really depends on all the other items in the chain, and the setting you are playing them in ...

Best I can probably do is to say what I currently have strung ... old set of ECB-81 (100??) Chromes, Sadowsky 100's (lights??), and a VERY old set of Dean Markley flats, probably 20 years old ... all on Jazz basses ...

FWIW, I tried a several occassions to like TIJF's, and no matter how long I played them or cleaned them, they never felt smooth, they just seemed to react negatively with my skin ...
 
Always curious how everybody's experience with their flatwounds went. I've always been a flats player so I've tried a few sets. All of these are IME and IMO, and while some sets were quality, they just didn't speak to me.

Here it goes! In no particular order

D'Addario Chromes
1st Set - 50-105
2nd Set - 45-132
I'd give both sets a solid C+
A great starter flat and my first set. IMO, they sound a bit too modern to me, are medium-high tension, and take a while to break in; when they do it's thump city! A good set but not my tea. Blue silk with a slightly rough feel

Fender 9050L - 45-100
I'd give this set a D
Admittedly, this was a rush order for a pack of backup strings, but these were the worst flats I've tried yet. Floppy and bright, I had them on for a few months but they just weren't tight enough for me. Low-medium tension and growly, with light green silk and felt a little rough like the chromes.

Curt Mangan FusionMatched Flatwounds - 45-105
I'd give this set an A
I've loved this set on every bass I've owned. Great tone with a little higher tension than the Chromes. No silk (which was interesting) with a very smooth feel. Very slick!. I loved the tone because after a few months, they broke in to a beautiful thump with a defined tone. Highly recommended!

Rotosound Jazz Bass 77 - 45-105
This set gets a B
Bright and growly with a high tension. Rough feel with red silks. If you're looking for a bright, high-tension flat, these are the ones. I also bought a set for my five string, which will go on after I'm done modding it

GHS Precision Flatwounds 45-105
This set is a solid B+
Vintage sounding and thumpy. A medium tension, smooth feel with royal purple silks. I did like them on the jazz bass that I had but took them off after a while because when they settle in, they become slightly less tense than my preference. Before they break in, they seem a bit unbalanced and take about two to three months. Sound great and vintage afterwards!

LaBella Original 1954 aka Jamerson's - 52-110
Oooohhhh ooohhhh ooohhh this set is an A+
Very high tension with an incredibly smooth feel and deep blue silks. These are my favorite flats yet, dunno why it took me so long to try them out but these are right up my alley. Very mid-present and I'll report back when they break in but for now they are still new.

I know there are a thousand topics on flats, but all seem really inconsistent with each other and I'd like to give one thread where we can all lay down our opinion on flatwounds so if anybody was searching (like I was), here's one mega topic for opinions.
Chromes, first set medium .45-.105/Ibanez SR305F: C-
Something about these had me feeling just "meh". Kept them on for a few months because I was a broke teenager. Just sounded dull to me.

Chromes, second set medium .45-.105/G&L L-2000 (ten years later): A+

Maybe it was the bass, but these sounded fantastic. Or maybe my tastes changed. But these strings were easy to play, sounded great. Awesome mids, great lows. Not muddy at all.

LaBella 760FL/Fender USA Std. Precision Bass, G&L L-2000 Bass: F

The worst flats I have ever played. Absolutely not for me -- muddy and hollow sounding, absolutely nothing else to them. To those who like them, get these off my hands!!!
 
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Since I only play bass ukes and mini bass electrics, I have a limited string choice, until just recently. My main stay bass uke strings for piezo under saddle pickups are Road Toad black Pahoehoe poly, I much prefer very smooth strings so I immediately change the Aquila Thunderguts that come with many bass ukes. I tried using steel round wound over nylon core, but they were just too noisy for me. When I started converting 3/4 size 22" to 24" scale electric guitars to mini bass, I used 30" flat wound strings for which I had to work out stringing them through since flatwound should not be cut.

Then I discovered that Gold Tone commissioned LaBella to make them special 25" scale flatwound Deep Talkin' strings for their M-bass solid bodies. I tried a set on one of my mini electric basses and loved them. I've even used them on a couple of my solid body under saddle piezo basses and they work fine. So those are now my 10 rated strings, with the Pahoehoe a close 9.
 
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