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I don't like playing over the bridge pickup

Mainly between the bridge and bridge pickup, closer to the pickup, itself... rarely ever at neck pickup. Maybe for single note walks, but not runs... I find the strings 'bounce' too much, making them harder to control... No floating thumb, as I use it to quiet other strings.
 
I play wherever I need to to get the tone I'm trying to cop. I play a P bass with the tone dimed almost all the time. I use finger technique, pick technique, various picks, plucking finger placement, the side of my thumb, whatever. I'm not anti any technique if it gets me to the sound I'm going for.

Then again, I play all kinds of music. If you have found one sound that works for you, more power to you.
 
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Mainly between the bridge and bridge pickup, closer to the pickup, itself... rarely ever at neck pickup. Maybe for single note walks, but not runs... I find the strings 'bounce' too much, making them harder to control.

You must play a little more physical like me. I'm all over the place but have to watch myself the closer my plucking gets to the neck because of that added "bounce" you speak of.
 
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Pretty much where I call home.

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Tone is in the fingers.

Depends on the song and what sound you're trying to get. With my PJ, I can go from the darkest, fattest tone (P-pickup, tone off, play fingerstyle near neck), to the brightest, twangiest tone (J-bridge pickup only, play with a pick near the bridge)

If tone is in the fingers what's up with using a pick ? :roflmao:
 
Mainly between the bridge and bridge pickup, closer to the pickup, itself... rarely ever at neck pickup. Maybe for single note walks, but not runs... I find the strings 'bounce' too much, making them harder to control... No floating thumb, as I use it to quiet other strings.
My understanding is that that's what floating thumb is. Maybe I have the term wrong.
 
I mostly use a pick (and play metal/heavier music) and often anchor my hand on the bridge like I'm playing guitar. But that doesn't mean I'm afraid to move up and often right behind the neck to get more string noise and clank if the riff calls for it.
 
Playing over the bridge pickup works for some and not for others. Neither is right or wrong. Let bridge pickup players play over the bridge, and let neck pickup players play over the neck.

I float between hovering over the neck at the 12th fret and as close as I can get to the bridge, depending on the tone I'm trying to get. Whatever.
 

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