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Saying that would equate to denying the variety in flats sounds - which IS there.
That's like saying putting rounds on a bass is making all of them sound that same - zingy and clanky. There is IN MY OPINIONabsolutely no truth to that statement either.
And IME, they pretty much all sounded pretty much the same.
...which is my opinion of people who've been on TB less time that I have--having any opinions on anything at all!
(j/k)
Sometimes these silly food fight threads are so much fun.![]()
i actually disagree with those who say they don't sound vintage. the mids get boosted and the highs get attenuated. that's vintage to methat's true. wasn't bad...just wasn't my thing. fortunately i couldn't hear it very well[/QUOTE
The wife and I noticed that as well.
But those rounds, with the Quarter Pound pickups (not exactly "vintage" according to folks) sounded awesome,and thats all that really matters isn't it?![]()
and they're the only pickups i've tried that work for my thing on that p lyte.
if i ever get off my lazy butt, though, i'll soon be putting my first good bass back into action...a 76 p with the prettiest ash grain you ever saw!
i hate flats, they have no bright and sustain...
Even the fretlees players, who it supose they want a more upright tone, they use rounds...
plus flats costs twice $
i hate flats, they have no bright and sustain... Even the fretlees players, who it supose they want a more upright tone, they use rounds... plus flats costs twice $
Every time I play a bass or hear a bass, especially soloed or prominent in a mix, with flats, even on the famous records, I want to wretch and take up clarinet.
I could say the same about rounds.
I guess people couldn't care less what we think though.
If we all used the same stuff, things would be pretty boring, right?
Also, it's not so much my opinion - I mean, who in their right mind would try to pass off a whole kind of strings sounding alike as fact?
Every time I play a bass or hear a bass, especially soloed or priminent in a mix, with flats, even on the famous records, I want to wretch and take up clarinet.
I also engineer and produce, and have never found that a bass with rounds, hi pass filtered or tone pot down a bit, has been hard to mix.
I just don't get it. Maybe it's a recorded frequency in a mix (that I like, say Jamerson) vs. the instrument by itself or in my hands?
(having said that, i do get good results every now and then with my vintage hofner with pyramid flats after eq'ing, which I also don't get).
What am I missing? I feel I should put some flats on my P bass, but then I'll hear one and it's hello clarinet teacher...
Not trolling against flats. I want ot like them. But it sounds so nasal and one dimensional and farty to me.
Nope your not nuts, I still won't play anything but stainless steel roundwounds, not enough brightness/grittiness in anything else
i've got rounds on my jay turser beatle copy and i prefer them to flats on it. i like flats on it no doubt, but the rounds adds a bit of versatility for me that it doesn't have with flats, so i usually end up taking the flats off and using rounds most of the time.Out of curiosity if you dislike flats that much. Why have a Hofner with Pyramids ?. Granted it would give the classic Beatle type sound in particular. But if you hate the sound, why torture yourself. Go 100% rounds and be happy![]()