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Double Bass I was shopping for an igloo

When I worked as a trim/finish carpenter I learned to keep “mum” when there was shall I say, a lapse in concentration, resulting in a situation demanding a solution.
This may or may not be what has happened
The confluence of neck angles, string lengths, bridge heights, overstands, and neck lengths has almost eaten me alive!
It makes me reluctant to post things until after I decide it going to work!
A pic of the neck setup
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One of the goals I had for this undertaking was to utilize woods that are native to my home state of Missouri, and more specifically from the family farm. My father-in-law had several species of years old hardwoods in the barn.
However, there were no bass neck blank size chunks to be found. No problem me thinks, I’ll have a nice bass guitar “skunk stripe” neck. Black Walnut is abundant in southwest MO, as is a very hard, strong, cream colored honey locust.
Here you can see the Oreo outcome., with a nice honey locust fingerboard shim. Re-using the Brazilian Rosewood fingerboard, and a wild cherry bridge blank. Lot’s of personality!
 
Each and every task in this project has been a bundle of quandaries. Do I have the material, do I have the necessary tools, what can be improvised? Now, almost nightly, I awake with an epiphany that solves an enigmatic stoppage. Its kinda cool!
Was able today to put on a pair of strings just to check string length and bridge height. These elements were very difficult to determine for sure. My targets were a 41 1/2” string length and a bridge height of 6 3/4”. Happy to say they are each very close to the goal.
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Lookin' good; 'excited to check it out next week and give it a parking lot thump!

It is nice to see a real woodshop with sawdust on the concrete floors and tools scattered about and chrome Stanley tape measures from the hardware store & self reliant problem solving improvisation; proof that you don't need $500 specialty clamps imported from Europe and all the other junk they try to sell us in catalogs. A $50,000 mind goes endlessly farther than a $50k hipster workshop and a 50 cent brain...:thumbsup:
 
When I worked as a trim/finish carpenter I learned to keep “mum” when there was shall I say, a lapse in concentration, resulting in a situation demanding a solution.
This may or may not be what has happened
The confluence of neck angles, string lengths, bridge heights, overstands, and neck lengths has almost eaten me alive!
It makes me reluctant to post things until after I decide it going to work!
A pic of the neck setupView attachment 3825684View attachment 3825687
Cool Shoes!
 
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Reactions: james condino
It’s probably time for a short back story. I have virtually no musician acquaintances, nor do I have any experience with stringed instruments, other than adjusting a guitar trussrod for my own son. I did change out the neck on a banjo once, but they bolt together!
When I bought this bass it was missing one tuning gear. It had many other problems but I ignorantly thought the tuner was the only hurdle I couldn’t leap.
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I called a luthier from the area where I live to see if he could help find a replacement. He was friendly, but didn’t seem even hopeful that I could find the part. I had visited James Condino’s Kay bass repair website several times previously, so was aware he was an American Standard enthusiast. It seemed likely he could at least have a suggestion where I might locate the gear.
I called and left a message,
“Hello James, I just bought a 1938 American Standard bass, #538 and need a tuning gear, can you help?”
I expected it was a dead end, but the call had triggered an interminable tumble into the “bass nerd” abyss. Within ten minutes James returned my call and was inquiring about the condition of the instrument and my plans. He said he might have the gear, and to please send him some pics of the bass.
Did that.
The next conversation, James said he had a gear/axle, and extended an invitation to visit the shop with the patient, for a bass nerd super session, and get the tuner gear. I live 750 miles down the abyss from Asheville NC! Meanwhile, pandemania and social desolation has ensued, negating the in-shop opportunity .
Thus the beginning of this chronicle.
 
That Osage center strip and shim neck wood is going to end up being really pretty against the black walnut, very nice choice!!! It looks like the Osage may come close to matching the pegbox after finish is applied.

Great work with the glass too, probably can't find much naturally sharper. Just be careful of your hands if it chips.

For me and probably many of us, this is a great adventure. Thank you for all the pics and documentation!