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Idle thoughts: why is the G string string "1"?

Why don’t they just call the high string……G? That seems to be less confusing for fivers and sixes. Unless you use non-standard tuning, in which case you’re on your own. I mean, at that point you’re looking at string gage anyway. My guess is that this goes back centuries to double bass players who never foresaw fivers, sizers and eights.
 
I installed some Labella strings last night, and they have those little handy die on them that tell you which is which (even though it's obvious). And it made me wonder - when you see tab, instructional books or setup guides that reference the strings on a 4-string bass, they always call the G string "1" and the E string "4." I believe this is true of 5 strings and guitars as well. It makes no sense to me, which might be just because I am a bassist. To me, just like I read left to right, I think of a string instrument from the lowest note up. So if I was in charge, the E string would be #1. Of course, I am not in charge, even in my own house, so this will remain an idle musing.
Because, a bass guitar is tuned to G, in a series of fifths.




I think of it, like sheet music. High notes are on top of low notes. So, numbering goes from high to low. Just my way of seeing the picture.
 
String gauges in a set are normally listed in the order of thinnest to thickest. So to the extent that it makes sense to assign ordinal numbers to the strings at all (arguable), it probably makes sense to number them in gauge order, so that the ordinal numbers correspond to the order in which the gauges are listed on the front of the package.

That's my best shot at a logical rationale.
 
Actually, it's tuned in fourths. Unless you're going in the other direction... :D

Damn metric system.
No, it's tuned to G, in descending fifths. Ascending from 1 - 4.

It would be tuned to E, in ascending 4ths. Descending from 1 - 4, if the E string were string 1.

But, it's not
 
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I suspect the explanation ends up being something like "it was a completely arbitrary decision by Mel Bay five minutes before the press deadline in 1947 and we've all just done it that way ever since just because."

Or because violinists, violaists, cellysts, and double bass players have called the highest pitched string the 1st string for centuries, as did Carcassi et. al. ?
 

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