Any Dave Matthews or Darius Rucker. Anything I don't get paid for.
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As someone who has recorded a lot of this kind of harmony, I'd be shocked if anything about that is natural. But maybe she's the most gifted and talented singer ever. I don't really knowI'm not convinced that's any form of pitch correction or use of autotune as a modulation effect. I think it's two harmonies that are then doubled and the reverb has a low pass to shorten the "sheen" on the reverb tails. I'd need an isolated multitrack to know for sure, but the telltale signs of Antares or Celemony processing aren't popping out to me. Maybe it's a Waves Tune or Izotope Nectar type of pitch correction since I'm not well versed at spotting those, but they're certainly more rare than Celemony's Melodyne for more straight-ahead pitch corretion and Antares Autotune for the stylized modern pop vocal thing (aka the T-Pain vocal). This cover also came out in 2002 when pitch correction certainly existed, but wasn't yet ubiquitous.
Rock audiences quickly figured out that Darius Rucker can sing 2 (TWO) notes very well. That is his entire range. How did country audiences get duped? Bear in mid, two notes is one more than Sade can sing.
Here's the original. Meh. It's no amazing song either. She basically sounds like Taylor Swift.
Taylor Swift basically sounds like Joni Mitchell.
There, I fixed it for you.
Previous pop classics dropped in tempo to a dirge with breathy, nameless, faceless, faux-hurt vocals over the top. Take your pick.
I just heard this in the grocery store, and got angry again.
I mean it's such a classic tune with some genuinely groovy guitar and vocal work, and the Counting Crows are a talented group with some artistic credibility ... what could go wrong?
Phew!!!!!!! This one is really infuriating!!!!!!!!!!!!! (Nancy Sinatra does The Beatles, Day Tripper)

The dip and swell from a compressor on the leading edge of the oooo's is definitely adding to the "artificial" quality of it. As for the pitches, a buddy of mine worked with her (Vanessa Carlton) in the studio a few years ago and I remember him remarking at just how insanely good of a vocalist she was on the sessions, so I wouldn't put it passed her to be able to absolutely nail those harmony pitches.As someone who has recorded a lot of this kind of harmony, I'd be shocked if anything about that is natural. But maybe she's the most gifted and talented singer ever. I don't really know![]()
I've no doubt she's good but it's not human to have absolutely no trace of tremolo or vibrato in a vocal like that. You'd have to have superhuman vocal control to do it. Maybe she's superhuman and, if so, many kudos to herThe dip and swell from a compressor on the leading edge of the oooo's is definitely adding to the "artificial" quality of it. As for the pitches, a buddy of mine worked with her (Vanessa Carlton) in the studio a few years ago and I remember him remarking at just how insanely good of a vocalist she was on the sessions, so I wouldn't put it passed her to be able to absolutely nail those harmony pitches.
sure it doesdoesn't even improve with Vanessa Carlton eye candy
Phew!!!!!!! This one is really infuriating!!!!!!!!!!!!! (Nancy Sinatra does The Beatles, Day Tripper)
Here's the original. Meh. It's no amazing song either. She basically sounds like Taylor Swift.
The "ooh bop bop" needs to take a flying leap though.