I'm guessing so, cool, so it would control the frequency, as to why he put it below that label. Cool, thanks -Are you talking about the expression jack ???
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I'm guessing so, cool, so it would control the frequency, as to why he put it below that label. Cool, thanks -Are you talking about the expression jack ???
Cu is the element symbol for copper, for what that’s worth. The circuit is probably identical, just different colors and enclosures, much like Taylor’s other boxes.I’ve a question for the IE community, do you know if there is any difference between the QF2 ?
I’ve spotted two versions : 1) in a goldish color with Cu written on the left of the left switch and a 2) copper colored version with no Cu mentionned.
Thanks in advance for your replies !![]()
Thanks for the explanation ! As I’ve heard about a « bass » version I wanted to be sure ! A bass version would be strange from IE as Taylor is dedicated to craft pedals for bassists but who knows !Cu is the element symbol for copper, for what that’s worth. The circuit is probably identical, just different colors and enclosures, much like Taylor’s other boxes.
There is a Gold and Copper version. The Copper edition has a mix control. The Gold edition has a tone control. I’m unsure of any other versions besides maybe cosmetics/aesthetics?
Good question. I’d be interested to know if there is any specific differences as well. Maybe just wording/description simplification?Well spotted. However I well see the « mix » control in the copper version but a « dry » (and not a tone) control in the gold version. So can we assume they are the same ?
Any chance of a QF2 comeback?So, the original version of the QF2 released in 2011 came in Copper and Gold. The Copper one was aimed at bassists and the Gold for guitar, but, the only difference was that the Copper had a clean blend (which is a volume knob for the clean signal, rather than a dry/wet mix knob) and the Gold had a tone control which was a treble cut after all the fuzz sections. These originals had powder-coated finishes and silk-screened labeling.
There was a redesign in 2016. The Gold version was dropped and the Copper version became the standard. Circuit-wise, the only change was that the maximum resonance settings on the Q switches was more extreme, so the sound could get, er, more extreme. The Mix knob was renamed Dry because some folks were confused by the original labeling, but it does the same thing. Cosmetically, this version is etched and plated in copper. That's the version that was up on reverb.
Thanks a lot Taylor for the full and clear explanations !So, the original version of the QF2 released in 2011 came in Copper and Gold. The Copper one was aimed at bassists and the Gold for guitar, but, the only difference was that the Copper had a clean blend (which is a volume knob for the clean signal, rather than a dry/wet mix knob) and the Gold had a tone control which was a treble cut after all the fuzz sections. These originals had powder-coated finishes and silk-screened labeling.
There was a redesign in 2016. The Gold version was dropped and the Copper version became the standard. Circuit-wise, the only change was that the maximum resonance settings on the Q switches was more extreme, so the sound could get, er, more extreme. The Mix knob was renamed Dry because some folks were confused by the original labeling, but it does the same thing. Cosmetically, this version is etched and plated in copper. That's the version that was up on reverb.
Any chance of a QF2 comeback?
So, the original version of the QF2 released in 2011 came in Copper and Gold. The Copper one was aimed at bassists and the Gold for guitar, but, the only difference was that the Copper had a clean blend (which is a volume knob for the clean signal, rather than a dry/wet mix knob) and the Gold had a tone control which was a treble cut after all the fuzz sections. These originals had powder-coated finishes and silk-screened labeling.
There was a redesign in 2016. The Gold version was dropped and the Copper version became the standard. Circuit-wise, the only change was that the maximum resonance settings on the Q switches was more extreme, so the sound could get, er, more extreme. The Mix knob was renamed Dry because some folks were confused by the original labeling, but it does the same thing. Cosmetically, this version is etched and plated in copper. That's the version that was up on reverb.
Just played Brooklyn Bowl, one of my dream venues, last night. Here's my IE-heavy board right after sound check. I only got to use the Divaricator during our set, but if we get to play again I need to hear the XD and the SubT through their system.
Sign me up for one if you do make it.I kinda doubt it, but maybe I'll make a different multi-band distortion at some point.
Just played Brooklyn Bowl, one of my dream venues, last night. Here's my IE-heavy board right after sound check. I only got to use the Divaricator during our set, but if we get to play again I need to hear the XD and the SubT through their system.
Yeah it was a blast. I've seen so many great shows there over the years and I never expected to actually play it. Sound was awesome, the crowd was decent for a Wednesday night.That's a fun and somewhat weird room. Good night there? We played there a few times over the years, sometimes to a bunch of people, sometimes not so much. And yes I used my IE D/V and XD there.![]()
Board looks great!
I've played that room once and it was... a terrible night. It was a day or two after the Pulse Nightclub shooting and tension was running high - they checked every single gear bag we brought in and also patted down the band. There was one group of people bowling, our drummer's brother and the staff. Yikes.
Just played Brooklyn Bowl, one of my dream venues, last night. Here's my IE-heavy board right after sound check. I only got to use the Divaricator during our set, but if we get to play again I need to hear the XD and the SubT through their system.