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Is anyone playing current Top 40?

Top 40 is generic for popular and modern and many of them become classics.

Nobody thinks top 40 relates to chart position at any given time because there isnt a single chart to reference exclusively.

True. The days of Casey Kasem's Top 40 (kids, ask your parents) are long gone. There is no cohesive "Top 40" we all listen to anymore.
 
There's a Top 40 today?

Yeah! Is there? No one buys 45s or Cds anymore.

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So, that song.... in some ways it's a throwback to the disco era. There's a whole vocal section and a whole string section on that stage. Outside of the rhythm section, which is driving the song, it's keys, keys and more keys with a guitar doing a little disco-style dinky-dink-dink part throughout.

I think you could do a facsimile of that with a live band, but it would be difficult to pull it off well without the proper instrumentation. You'd need a keyboard wizard or two to do all the keys and synth parts along with the string section parts. One of those keyboard wizards is hard to find, at least in my experience, let alone more than one. They want money.

That is the thing about songs like this- so much of the song's strength is in the arrangement. That's ok with me, but it can make a song hard to duplicate well.

I think it could be done, but I do think that it's yet another example of where modern production styles get in the way of fully achieving a cover. Of course, there are many older songs that also don't get played well by local bands because crucial parts go missing. I'm still thinking this is perhaps a big piece of why modern songs don't go over as well when played live.
Not so difficult to do if you don't mind using backing tracks. Of the probably top half dozen or so top cover bands in the KC market where I am most are guitar-bass-drums with or without a vocalist, and a BUNCH of backing tracks. All the keyboard sounds, strings, brass etc all sequenced. They're all good enough musicians/vocalists but they cheat like crazy. They're some of the highest paid acts in town and no one cares that so much of their sound isn't them actually playing. So it's certainly doable, just depends on how much you're willing to prostitute yourself out.

That's what I was getting at in an earlier post about Dua Lipa - perfectly adequate dance floor tune, but there's nothing memorable about it. No one will ever care.
That's historically what Top 40 is. Catchy tunes with a limited shelf life. Some stand the test of time, most don't. BUT if you pull them out occasionally they often still work. "Wow, that's a great song! I haven't heard that in ages!" What made it catchy back when still works if done right, depending on the audience you're trying to reach of course.
 
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True. The days of Casey Kasem's Top 40 (kids, ask your parents) are long gone. There is no cohesive "Top 40" we all listen to anymore.
Casey Kasem is gone, but there is till a Top 40 or Top 100. I would be willing to bet that wherever you are there is a Hot Hits, a.k.a. Top 40 station in your area. While it may be true that we don't all listen to the same music, which means there are much more choices, which is a good thing. but, whether you're aware of it or not, Top 40 still exists.
 
I find younger women like the top 40 and the young men prefer hiphop/rap.

The younger generation also supports DJ events and the EDM scene.

As a cover band this makes it challenging to engage the 19 to 25 year olds.

Lastly we are losing the common song. Everybody has access to world music, which is great, but personal preferences are so varied. There was a time when a hit song was a hit song and everyone knew it.
 
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Out of current Top 40, 21 songs are by Drake. Not sure about you, but I don't think we could successfully cover any Drake tune even if we tried. I think @droo46 nailed it above mentioning those Top 40 tunes that have reached silver bullet status - those ones will probably kill in a modern set, depending on who's out there. That said, my cover band is unlikely to play to a lot of 20 somethings, more like 35 somethings and older, so they are more amenable to anything from the last 20 years with regard to top pop. :thumbsup:

I wouldn't know Drake if I accidently ran over him (? them?) in my car...
 
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who the heck is Doja Cat?

and I can't imagine any of the venues I've played recently (and some are large) that would want us to play him/her/them....

I don't think that's a matter of being out of touch. I think I'm fairly in touch with "what sells" and what doesn't in the live music market in this region.
 
who the heck is Doja Cat?....
If you truly don't know Doja Cat, check this out...one of the hottest songs right now:

Half my bands songs are Top 40 and half are just good party songs. I find you have to have unbelievably good singers and keyboardist to legitimately pull off Top 40.
Can I be in your band?:D

I find younger women like the top 40 and the young men prefer hiphop/rap.

The younger generation also supports DJ events and the EDM scene.

As a cover band this makes it challenging to engage the 19 to 25 year olds.

Lastly we are losing the common song. Everybody has access to world music, which is great, but personal preferences are so varied. There was a time when a hit song was a hit song and everyone knew it.
"Losing the common song"...interesting. Is this why all of the so-called common songs are all old?

I wouldn't know Drake if I accidently ran over him (? them?) in my car...
He's one of the hottest pop/rap/R&B artists of the past decade.

Check his resume:
Drake (musician) - Wikipedia
 
My band plays mostly top 40. Dua, Halsey, Yebba/Robson, Timberlake, etc. For older songs we generally look for a new cover version and build from there. An example of this would be Clodie’s version of Zombie. Also, I am forced to play an increasing amount of keyboards for this band. Dua’s Physical is one I have to play with a split board as there are 2 main key sounds. We like doing this stuff and it goes over well. Also helps we have a great female front person.
 
My band plays mostly top 40. Dua, Halsey, Yebba/Robson, Timberlake, etc. For older songs we generally look for a new cover version and build from there. An example of this would be Clodie’s version of Zombie. Also, I am forced to play an increasing amount of keyboards for this band. Dua’s Physical is one I have to play with a split board as there are 2 main key sounds. We like doing this stuff and it goes over well. Also helps we have a great female front person.
If I may ask, what kind of gigs are you getting doing a more current set list? Bars/clubs, corporate/private parties, festivals? Seems this would work best for a 21 to maybe upper 40's ish audience which maybe that age group goes out for live music more in your area than I've seen where I am. Or possibly I'm simply out of touch. Lots of keys and a great female singer would definitely be a plus.
 
"Losing the common song"...interesting. Is this why all of the so-called common songs are all old?

Our tastes and access to music is so varied that it is very easy to have a conversation with another person and have no idea who they are listening too. Our favourite music is sometimes groups/musicians who have a very small following.
 
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If I may ask, what kind of gigs are you getting doing a more current set list? Bars/clubs, corporate/private parties, festivals? Seems this would work best for a 21 to maybe upper 40's ish audience which maybe that age group goes out for live music more in your area than I've seen where I am. Or possibly I'm simply out of touch. Lots of keys and a great female singer would definitely be a plus.

We are based in New England close to 2 or 3 major college locations. Thing are have started to loosen with covid regs and expect a much better season than last year.
 
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If I may ask, what kind of gigs are you getting doing a more current set list? Bars/clubs, corporate/private parties, festivals? Seems this would work best for a 21 to maybe upper 40's ish audience which maybe that age group goes out for live music more in your area than I've seen where I am. Or possibly I'm simply out of touch. Lots of keys and a great female singer would definitely be a plus.

Or a 5 piece band with tracks.
Works from 20's to 50's as long as you dont get too 'niche'.
Bars if they can pay, but they are also the shop window to functions, parties and festivals.
You can't do too many bar type gigs because it becomes obvious with the fee difference.
$500 for a bar against $1500 for a function.
 
It depends from region to region what 'Bar' work is.
We have 80's bands which are niche popular but are those people supporting the gig circuit.

We've found a younger set means that we can get crowds that are already out and want a good time rather than a band that needs to draw them.
Looking back...this is just creating a scene in the time honoured way, whereby people go out regardless of who is booked to play...
But because the evening goes well...you still have to crack this part... you get a ready made audience as opposed to bringing your own.
And they can become 'fans'..
So, nothing really changes, but we think the old days have gone, whereas, they have just shifted.

Young kids think nothing of dropping $100 minimum on their night and they are the crowds you do well with, rather than the 2 beer drivers crowd.
This is also why food and bands mix well, because per head spend means a bigger fee for a better band.

It is an interesting dynamic to observe.
 
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