And there's those weird SAE fittings that have an equivalent metric. But that's deviating from the topic.
But yeah, to me the whole Fender v.s. Squier argument is like the Gibson v.s. Epiphone thing all over again. If you REALLY want to see a difference between a Gibson, pick up a real Gibson Les Paul Junior and then the Epiphone model. The P90 pickup makes a huge difference.
Good point. Not totally correct, but good.
I tried to love - honestly tried to love --- a certain high-ball Fender once - the Marcus Miller --- and it just wasn't happening.
It's not so much the finish or frets or electrics - it's the whole damned design.
What I see and feel is that no matter how high up the tree a particular bass is, it's not gonna appeal to everyone and if those 'everyones' are used to something like a flatter neck or slide switches, then everything else is second rate.
I've had - HAD being the operative here --- both the Epi and the Gibson LPS basses and hated them both equally.
They were heavy beyond imagination (free concrete day at the factory?) and they just had this negative ergo-design that made it feel like it was designed by elfin dropouts.
So it may not be a QC problem so much although that certainly doesn't rule out a 1:100 ratio of lemons to good guitars.
The whole thing is rather nebulous and quicksand-like, EG: 'What's the best bass for metal'.
As far as QC is concerned, I don't worry too much about it any more if the finish doesn't fall off and the neck isn't parabolic, then I can make adjustments and repair or reset things to the way I like them.
Any more now, I just find myself making the bass I want instead of gassing over some new model. I can make what I want better.
But --- I'll give you a B+ for the answer.