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Is your tuning evil?

Thump_N_Bloom

Thump_N_Bloom

May 4, 2012
75
13
Santa Ana, CA
#1
Not sure which forum this would fall into... so here goes.
Found this in a local CL ad and thought it was interesting enough to share:
[Invalid or Expired Link Removed]

As a muscician this is VERY IMPORTANT FOR YOU TO BE AWARE OF.....MUSIC NEEDS TO BE TUNED TO 432 hz, (resonates with harmony in nature) INSTEAD OF 420 (discord with nature)

WWW.OMEGA432.com

Before 1940's music was tuned to a very harmonic 432. By the 1950's after Nazi influences created the 420 discord in their soldiers to be more aggressive in fighting, music changed to be tuned at 420.
Somehow this disharmonic 420 flat sound became standard throughout the world. Pink Floyd somehow knew this , and the classical greats (Bach, Betovan, etc) all tuned their music to 432. Tibetian monks singing bowls are tuned to 432.

Spread the word. Let's get our music back into harmony with nature.
Click to expand...
 
#2
I blame the Trilateral Commission, the World Bank, all politicians, communists, capitalists, and sunspots.

I go now, to put on my tinfoil hat and replenish my precious bodily fluids.

i-5061fe7ab12700cb708665ac1f667230-tinfoil-hat.jpg
 
#7
I was wondering why I kept wanting to goose step across stage when playing in standard tuning. Now I know.

But now I find myself wanting to give up bass and concentrate on playing Tibetian Singing Bowls.

:rollno:
 
#10
Light, Light, Light
Everything is made of light, we appear to be existing within relative true light already and what is called visible light speed is actually the latency of the flashline sequence of the boundary dimension layers of perception. Each dimension appears as a trinity flash line sequence based on ratios of frequency dampening.
According to Bruce Cathie Light spirals at 144,000 minutes of arc per earth grid second with 432 as the square root of light.
Click to expand...

432^2 = 186,624 not 144,000 :scowl:
 
#11
A was not set to a standard worldwide pitch at all until very recently. Very often was flatter than today. Most Baroque standard pitches were considerably lower than 436, but some were _higher_ than 440 in certain areas, in particular some opera houses.

Bach probably worked with several tuning standards based on where he was performing, because the matching sets of instruments designed for specific performance areas would have their own pitch standard.

There's a movement lately that claims, through numerology, sacred geometry, and standard variations on conspiracy theories, that there is a "one true tuning" that we have to follow otherwise we're destroying all that is good and fuzzy and pure.

I fail to see how it has any bearing on the music as long as everyone is capable of agreeing upon a standard pitch and tuning to it without breaking strings/instruments, but to each his own.
 

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