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Jaco-Tone: Do you really like it?

timalan makes a very important point I think. The question is how much of the tone comes from axe setup/amp choice and how much is a result of how the player plays (touch, accuracy, articulation, muting technique etc.).

My experience is that much of your tone actually comes from your hands and the search for rigs is predicated on trying to have what your hands are producing accurately interpreted by your equipment.

As for Jaco, well back in those days you just didn't have the range of equipment, guitars and various electronic gagets to choose from. I played for years using two Acoustic 360's (bought mine long before Jaco got his) and a Fender Jazz with pickups and electronics that had been modified by my old friend Bill Lawrence (the guy who did Hendrix's Strat wiring).

The pickup wiring was designed so that I could get settings that were more mid-range and throaty for soloing and others that were more full for backup play.

However I wouldn't use that setup today because my tastes have changed and the range of options available to shape your personal sound allows me to get a more transparent and acoustical sound (think woody) as that is what I enjoy personally.

Although there will be folks on both sides of the fence as to whether or not they liked Jaco's sound the truth is, if he were alive today and still playing, he likely would not be using that setup and his sound would have evolved to a different place by now.
 
One of my all-time "top five" favorite tones is Jaco's on "Bright Size Life." It sounds like the notes are just oozing and flowing out of the bass. Gorgeous. I wonder how much of that was due to the ECM recording process (maybe some reverb added, or something).
On the other hand, I really don't like his sound on the instructional video-- REALLY "stringy", bright and brittle. (Not sure whether it was a different bass... it was a different neck, for sure, a maple P-Bass one.)
Anyway, it was his voice, and he did show an awful lot of us how to take a perfectly standard issue axe with relatively minimal controls and sound completely different from everyone else. Pretty awesome accomplishment, actually.
 
I love the sounds and tones Jaco used to coax out of his fretless. And I wish when I tried to approximate that sound myself, I could live with using it, but I can't. The tone I seem most content with is the Bernard Edward/Jamerson/Duck Dunn throbby type tone, big fat bass.

Bernard edwards? I would never put him in the list with Jamerson or Dunn. Edward's tone was pure jaco, and that's why it stands apart from other funk players of that era. His tone sounded very finger-like and bridge trebly.
 
Jaco was an amazing and inspirational figure in the world of Bass and I do pay the respect that is due him, but if you are referring to just that particular tone, then I would have to say...no. It's fine in the context used and he played it with wonderful feel but just not one of my favorite tones. I also am less drawn to the "Bass Soloists" than to the great "Foundation" type players.

George
 
Bernard edwards? I would never put him in the list with Jamerson or Dunn. Edward's tone was pure jaco, and that's why it stands apart from other funk players of that era. His tone sounded very finger-like and bridge trebly.

What I meant by that was, while Jaco's tone seems to not be dripping with bottom end, Bernard's was nice and fat where it needed to be, with a little middle just for definition.

If I was able, I'd completely lose the top end of my tone, but you tend to lose note definition when you do that.
 
How can you claim to be a Jaco fan and hate his tone? What tone should he have used? Jamerson's? Stanley's? Geddy's? The question is inane. He's one of the few bassists who can be identified just by listening to him play ONE note, which is a significant achievement in itself.

It didn't matter what amp he used or what bass he played, he would always sound like Jaco because the tone was in his hands.
 
I'm a big Jaco fan but don't particularly like his tone, it works for solos but holding down the bottom end in a band atmosphere is sketchy. I prefer more neck pickup than bridge in most situations anyway, and prefer an SVT or Bassman sound over the Acoustic.
 
While I appreciate Jaco as a musician, I just can't stand his tone. Never been a big fan of the soloed bridge p:up, unless it's a Stingray.

Also, in my "world of bass" there are far to many bassists who either try to play like, or/and sound like Jaco. You get pretty tired of it, and the sound they produce.

My two cents.