timalan makes a very important point I think. The question is how much of the tone comes from axe setup/amp choice and how much is a result of how the player plays (touch, accuracy, articulation, muting technique etc.).
My experience is that much of your tone actually comes from your hands and the search for rigs is predicated on trying to have what your hands are producing accurately interpreted by your equipment.
As for Jaco, well back in those days you just didn't have the range of equipment, guitars and various electronic gagets to choose from. I played for years using two Acoustic 360's (bought mine long before Jaco got his) and a Fender Jazz with pickups and electronics that had been modified by my old friend Bill Lawrence (the guy who did Hendrix's Strat wiring).
The pickup wiring was designed so that I could get settings that were more mid-range and throaty for soloing and others that were more full for backup play.
However I wouldn't use that setup today because my tastes have changed and the range of options available to shape your personal sound allows me to get a more transparent and acoustical sound (think woody) as that is what I enjoy personally.
Although there will be folks on both sides of the fence as to whether or not they liked Jaco's sound the truth is, if he were alive today and still playing, he likely would not be using that setup and his sound would have evolved to a different place by now.
My experience is that much of your tone actually comes from your hands and the search for rigs is predicated on trying to have what your hands are producing accurately interpreted by your equipment.
As for Jaco, well back in those days you just didn't have the range of equipment, guitars and various electronic gagets to choose from. I played for years using two Acoustic 360's (bought mine long before Jaco got his) and a Fender Jazz with pickups and electronics that had been modified by my old friend Bill Lawrence (the guy who did Hendrix's Strat wiring).
The pickup wiring was designed so that I could get settings that were more mid-range and throaty for soloing and others that were more full for backup play.
However I wouldn't use that setup today because my tastes have changed and the range of options available to shape your personal sound allows me to get a more transparent and acoustical sound (think woody) as that is what I enjoy personally.
Although there will be folks on both sides of the fence as to whether or not they liked Jaco's sound the truth is, if he were alive today and still playing, he likely would not be using that setup and his sound would have evolved to a different place by now.
