Last week I found your podcasts for the first time. I have really enjoyed every one of them. At one point you were requested to improvise over standards, and you were hesitant. But I found this to be the biggest eye opener for me. You took the time to say how you were using other tonal centers to sound "out" then how to resolve. It was really affective for me, to hear how you think about it. My thought process wasn't getting me where I wanted to be, you helped a lot. Thanks so much for being willing to share your knowledge.
My question is, does this concept of implying other tonal centers work well for walking bass lines? What's your process for constructing these? After chord tones and neighbor tones are identified, how do you link changes together to maintain a direction without sounding redundant? With a walking line, you usually aren't the center of attention, so does implying other tonics draw too much attention, should this be reserved for solos/melodies?
Thanks Janek! I really appreciate what you're doing!
Christopher
Portland, OR