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John Entwistle!

Just watched that video...damn, I need to go practice now!

Alot of English players are at the top of my "list", John Entwistle, Lemmy, Steve Harris, Geezer...Some may be busy players, some aren't, but all still top notch. And when they get busy (John) there isn't that 'flash', ie, they don't seem like they are showing off, but just playing, unlike alot of players that I find today.
 
BTW, I attended a show of Entwistle's band at Irving Plaza in New York several years ago. So I could see all the action, I got right up in front of the stage - right in front of his rig - and like a fool, without wearing any earplugs.

Man, my ears were seriously ringing for nearly a week after that. I was realy scared I might suffer permanent hearing loss... :eek:

MM
 
Check out our tribute to The Ox, a live radio broadcast a few days after his death. The pressure was on, I felt I owed it to my hero to nail it.
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Scroll down to "My Generation".
 
i'd argue that modern rock bass started when the world heard 'My Generation', loud, wiry, in-your-face bass, with a bass solo for good measure... it was really the first example of a bass guitar as opposed to what his peers were doing (McCartney, Wyman etc) which were sounds and styles with firmer roots in traditional rock n roll acoustic bass

Entwistle always claimed the wiry rasp of Duane Eddy's guitar was his biggest sonic influence and you can spot this instantly

people have obviously since gone further, faster, louder, more tonally evil sounding than John Entwistle, but it's truly a case of 'standing on the shoulders of giants'... The Who were always THE rock band as far as I was concerned and John Entwistle was always THE rock bass player
 
He used a pick a lot early on, and a bit less latter. He was very open to different techniques.

Songs I know he used a pick on:

Summer Time Blues
My Generation (though he plays the solo with his fingers)
A Quick One (depending on the movement)

And a bunch of other songs I, just can't bring to mind right now. I'm not a on a Who kick right now, so their catalog isn't on my mind at the moment. If any one else can name so more tunes, go for it!

~Paul :)
 
on the early to middle who era records he used a pic on all of the pic sounding songs (my gen, half of tommy, my wife) but when the 70's kicked in he was tapping(right hand 1st middle and ring like type writer) most of the songs that needed the pic sound (like magic bus as seen on albert hall dvd).

isle of white was a LOOOOOONG gig so as good as his fingers were he needed help with the pick so a lot of non pick songs were picked. also when a song needs a pick sound for a few passages he didnt always use a pick he flattened his thumb and 1st finger as if he had a pick (he did this a lot on tommy songs like sparks)
 
From what I recall, he used a very small pick and kind of held it in a unique way where he pivoted form the wrist and he would definitely switch between pick and fingers throughout a song. The greatest thing he ever added to the pick lexocpn was the multi- octave zoom down into a note. It was super effective when played through his rig at massive volume.
 

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