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John Paul Jones and Acoustic 360

+1.... and that +1 cpme from my similar experience.


I played a 360 for many years and just sold it about 4 years ago when we downsized our cars.

I have a decidedly different opinion from Ken and others about the tone.

For modern slap sounds, of course, the folded horn design does not produce the compressed/bright tone most guys are looking for.

However, for a pizz player using Fender single coils in a J, that enclosure is THE tone. And I NEVER heard any mud in it, presuming mud refers to distortion. Rather, that cab produces a cavernous clanky clear sound that is highly supported in the lower mids; perfect for the Jazz bass. Total synergy. Now, I will admit that solo in the music store, that tone can be "ugly." However, it is the tone supreme in a mix. Just another example of the misleading differences between auditioning an amp solo and getting it in the mix.

Some other things from my experience:
I never observed any influence of the cab vibrations on either the power section or the pre on top. They were built like tanks except for the infernal rocker switches.

Another thing towards the more modern tones: the amp had a biamp capability built in. I would periodically put my Flite 4x8 into the high end biamp out, and that produced an extremely versatile tone that could be used easily for the Marcus thing. Reason I mention this is almost no players ever took advantage of it, and most still don't realize that capability is there.

Finally, the more typical criticism of this rig was that the volume did not develop until about 30 feet in front of the stage; so, the player either couldn't hear themselves or was too loud. Well, I never experienced anything of the sort like that. I used to use that amp for everything from Holiday Inn band in the corner on up; never with any issues.

So, I will dissent; for my purposes, this was my favorite piece of gear built for bass to date, aside from the weight/size issues.

To the OP, if you can find one, can afford it, and have resources to move it around; then get it. There is no other amp currently produced that gets even close to the tone the 360 produces. I currently switch between 2 Tech 2x12's and an NV610, depending on the gig. They are both nice toneful setups. But, they ain't the 360.

IMO/IME
 
I have two 360 heads and one 361 cabinet. I disagree that they sound "bad", quite the opposite! I am not nostalgic for an era I didn't live in, but I prefer their sound to ANY modern bass amp.

John Paul Jones, Larry Graham, Jaco, McCartney/Wings, Bootsy, Tiran Porter = these are some EXCEPTIONALLY GREAT sounding bass parts - even if you only go by the live sound when you can see them use the Acoustic. Maybe you don't like their sounds - then we can agree to disagree. But I think it's an astounding bass tone - when you're playing music.

Mine gets mainly studio use - and not from 30' away! As soon as you plug into it - it has "that sound", like Whole Lotta Love and Heartbreaker, The Jam, etc. It's not bright - I hate tweeters and 10s on bass amps. That's why I prefer classic bass sounds. And these were often bass players as a lead instrument - Larry and Jaco as great examples. I find the treble lacking from the folded 18 cabinet is why it fits well <b>with a band</b>, leaving room for the other while you're still huge and growly. I do not want "pure" and "plain" out of an amp, I want tone and color. Listen to "Whole Lotta Love" and "Takin It To the Streets" - this is the sound that comes automatically from the 361 cabinet.

(Did you ever realize that the bass cabinet can also be turned backward or sideways and totally change that 30' away effect IF you had it and it bothers you?) Bot no front-mounted speaker can will ever have the tone of the 361.

BTW - these "reissues" are either dead-on copies, or they're not reissues. Much as Fender does, they copy something and call it a reissue and people like it - but it's not right, not as good at what people wanted. Most companies (Gibson Fender Marshall) find out ten years later that people WANTED the original exactly - don't "fix" the problems of a plexi Marshall! So they finally make it right - the really accurate Les Paul reissue.

Or make 2 models - one that is stock and one that is "hot rodded". Either way, if the reissue costs more than buyin The Real Vintage One - you're not smart business people.
 
You know, I just logged on and reviewed my post that generated criticism and ire for not hitting 'return' on my keyboard.
God, I see here that I forgotten that I had grouped my thoughts into perfectly legible, individual, readable paragraphs separated by lots of space. Just noticed that. Wow, maybe I was wrong to do it that way. The thing I noticed that it wasn't hard to read at all!
 
This threads been inactive for a while, but since the other Acoustic 360/361 thread was closed due to some kooky antics, I thought that this would be the best place to post. So here, for anyone who is interested, is a newer shot of the Acoustic 360 head. It was recently posted by Vetchking over on the Unofficial ACC board, but since not everybody hangs out over there, thought it would do well with being posted here too.

10.jpg


I'm still mega-Excited for these! WHOOOOOOOOOOO:hyper:
 
Thanks for the pic! (I've seen it myself)..

However, until and I mean UNTIL he actually BRINGS something to market, it's a waste of time.

I am well aware that he has several prototypes. I have talked with him numerous times and have talked with players who have played them. Unfortunately, "3 Months" has been something like 5 years now.......

He continually shoots himself in the foot by not bringing these to market (or at least to NAMM).

So, bottom line is simple. I am a fan of the IDEA...However, no product available to the market at large speaks volumes...
 
Thanks for the pic! (I've seen it myself)..

However, until and I mean UNTIL he actually BRINGS something to market, it's a waste of time.

I am well aware that he has several prototypes. I have talked with him numerous times and have talked with players who have played them. Unfortunately, "3 Months" has been something like 5 years now.......

He continually shoots himself in the foot by not bringing these to market (or at least to NAMM).

So, bottom line is simple. I am a fan of the IDEA...However, no product available to the market at large speaks volumes...

Oh, I know. You're right, until we see them, out and about, being retailed, it's all for naught. I'm still pulling for it though, as I love the Idea as well, having right proper Acoustics on the market again. (Oh, and he's changed it to "2 months" now.:D:smug:)

Actually, I don't believe this pic will be taken down, this is one he (Vetchking) himself posted only the other day over on the Acoustic board. I don't see why it would be taken down, seeing as he put it up. Here's hoping anyways.
 
I'd get a new one so that you looked right, then I'd put a GOOD rig next to it - I played through his very amp at a trade show and yes, it was loud... but the amp was not what gave him his tone - he had nice instruments and played well. Those old amps were really not all that...
 
I'd get a new one so that you looked right, then I'd put a GOOD rig next to it - I played through his very amp at a trade show and yes, it was loud... but the amp was not what gave him his tone - he had nice instruments and played well. Those old amps were really not all that...

Huh? Clarification would be appreciated.:confused:

Lot of test wires - must be broken.

....Or..........being tested?
 
I saw Zep twice in early 70 and both times John Paul Jones, was by then using two Acoustic 360/361s and for a long time after wards as well...Peace...DAcat :cool:

About 2 weeks ago I took the VP of ESP guitars (a bass player) to an undisclosed location to show him the JPJ rig we bought at auction. It was like a religious experience for him. We took pictures of him next to it and he looked like a little kid at Christmas. It was great seeing someone appreciate the mojo that this bass amp still has. Unpacking the JPJ 360.JPG
Ed O.