The punch was evident however. Must have been great there! It's also visible that your touch is efficient and light.
I can also hear from the authority of that punch, that that rig can take out everybody. You're trying to stay on the good side of the SPCA at least.
I was only turned up a little bit...the guys are used to hearing me much louder.

That's a fun room for us. It's a coffee house/restaurant by day that turns into a live music venue at night. They're just about the only all ages place in the University area (and just wrapped up a 'Diners Drive-ins and Dives shoot last week) We do this thing where we do a first week of school show...used to do it for free, now charge 5 bucks at the door. We hit the campus HEAVY with fliers for it, and get a lot of new people. Of the 105 paid at the door (a pretty full room at that place), only about 5 are our 'regulars'. That locks us in for 4 years with some new fans and helps our numbers. This band is a new incarnation, so we only gigged lightly in the spring and summer. Oh, and we walked out with decent cash too.
I also laid off most of my playing and practicing time over the summer and only in the past week really got on the boat and did some serious woodshedding to get my chops together. I've been laying into 1 to 2 hours a day to get my fingers moving.
Its really fun to feel like a real bass player again. And Monique really sounds fantastic.
And the punch (my settings from left to right):
-Treble @ 6:30 o'clock. Nearly all the way back
-Mid @ 3 o'clock
-Low @ 2 o'clock
-Sensitivity @ ~2 o'clock, pulled out.
-My bass' pickups set in parallel between the two of them, and in series within each one.
-My preamp (OBP-1) Treble rolled off about 1/3 from center detent (flat), Bass flat.
-fdeck HPF-series 3 between Monique and my power amp, 12db roll @35, with the second 12db filter set to about ~40-45hz.
-IPR-3000 run bridged, attenuators set at 9 o'clock.