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On my lower output basses I've been pulling the line out knob to increase output. Maybe I should be using the sensitivity knob?
I think the Sensitivity knob boosts certain frequencies of the input signal. It seems to boost the upper mids and the knob changes where and to what degree they are boosted."The Sensitivity knob is a push/pull knob. The push/pull function was originally designed to accommodate the lightest wound passive bass guitars pickups (pulled out) and very high output active pickups (pushed in) with one knob. When that Sensitivity knob is pulled out, you are adding 4db to the overall headroom of the front end of Monique"
Does this mean the sensitivity "pull" is boosting the input signal
"Monique has a built in option to increase the the Line Out level from the original maximum output level of 0db (.775 volts) to more than +4db (1.44 volts). To add the additional 4db to both the Line Output and the Balanced XLR Output just pull out the Line Out knob. Pushed in, Monique is exactly at the original 0db (.775 volt) levels."
And the Line out "pull" is boosting the output signal?
"With the Line Output knob pulled out (+10db), and the extra +4db added when the Sensitivity knob is pulled out, it will be possible to overload some amps, and even some consoles. With this in mind, start out with both the Line Out Level and the Balanced Out Level on Monique turned to zero (CCW). Then turn up to dial in your sweet spot."
Is it +4db or +10db?
Sorry for the questions, I know how to get a good sound and it was instinctive to pull the line out when I plug in a passive or lower output bass.
I think the Sensitivity knob boosts certain frequencies of the input signal. It seems to boost the upper mids and the knob changes where and to what degree they are boosted.
The line in also boosts the input signal of the entire frequency range. It boosts the signal before it goes into the EQ section. Then, the sensitivity further boosts certain frequencies of that signal before it goes into the amp.
So the boosts are additive. +10 db to the entire input signal. +4db to certain frequencies of the already boosted input signal. Think of the sensitivity as another EQ knob. No doubt, if you boost the bass, the magnitude of the bass frequencies is going to increase. Same with Sensitivity. It's kind of like some of those tone shaping circuits in other amps.
No wrong. Only what you prefer. Truly.On my lower output basses I've been pulling the line out knob to increase output. Maybe I should be using the sensitivity knob?
"The Sensitivity knob is a push/pull knob. The push/pull function was originally designed to accommodate the lightest wound passive bass guitars pickups (pulled out) and very high output active pickups (pushed in) with one knob. When that Sensitivity knob is pulled out, you are adding 4db to the overall headroom of the front end of Monique"
Does this mean the sensitivity "pull" is boosting the input signal
"Monique has a built in option to increase the the Line Out level from the original maximum output level of 0db (.775 volts) to more than +4db (1.44 volts). To add the additional 4db to both the Line Output and the Balanced XLR Output just pull out the Line Out knob. Pushed in, Monique is exactly at the original 0db (.775 volt) levels."
And the Line out "pull" is boosting the output signal?
"With the Line Output knob pulled out (+10db), and the extra +4db added when the Sensitivity knob is pulled out, it will be possible to overload some amps, and even some consoles. With this in mind, start out with both the Line Out Level and the Balanced Out Level on Monique turned to zero (CCW). Then turn up to dial in your sweet spot."
Is it +4db or +10db?
Sorry for the questions, I know how to get a good sound and it was instinctive to pull the line out when I plug in a passive or lower output bass.
No wrong. Only what you prefer. Truly.
The Push/Pull Line Level was originally designed to give us all more level (+10db) to drive some of the Bass Amps requiring all that level.
Almost immediately, players began to tell me they occasionally preferred pulling that Line Level out (adding +10db to the signal) and then limiting the overall volume of their performance by cranking back the input of whatever amplifier they are using. Drive Monique hard and roll back the Amplifier volume.
When the Line Level is pulled Out (+10db) the signal is going through an additional tube stage. That is what that Push/Pull Line Level does. Going through another tube adds gain and girth to the note - no matter how hard one tries to design the +10db to be perfectly clean.
With that lesson learned, you see the current configuration of the M700 (and soon to be M2500). A simple (appearing) Bass Amp with a volume control. That allows you to crank up Monique and still adjust the overall volume on the amp. This isn't for everyone, but it is another tool.
There is a whole lot to be said for "Minimal fiddling."This is exactly how I run my stage setup, by cranking the line pulled out at 85%, and then adjusting my overall stage volume with the M700 amp. I'm hardly ever past 9 o'clock on the M700 with an Audiokinesis H1203 Hathor single 12 in a four piece rock and pop band. I consistently get righteous tone with minimal fiddling with these settings. Jule for the win!
Wow!My favorite cab for sure...and honestly, no amp/cab mis-matches here...just different flavors of goodness! I've found my Monique sounds best thru the LWA effects return (line level pulled out ^, sensitivity pushed in ^, EQ ^^^)...
Monique thru my XLS2502 is also fantastic, but (and this could just be my GAS-induced imagination) the LWA amp adds a slightly warmer tone vibe...
...which is why I'm thinking it might be time to acquire an M____ amp. @juledude--possibly a matching bamboo shell for the M700 or M2500???
Unfortunately, this cab is not a lot of fun "tossing" into my suv, so I use my Berg HDN's most often...
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Yup.I'm a minimal fussing guy, now.
Monique doesn't need it. Hand position is so evident with Monique, why not use my original tone controls, my hands?
Pretty small increments. The push/pull Line Level +10db boost was the largest change. Small high freq boosts very early on. Different preferences in tubes.I was trying to dig through these 121 pages, but did not find what I was looking for. Could someone point me in the direction of info related to the "upgraded features" that Monique has gone though in the last few years?
Covered in my email reply.My first tube rolling experiment with Monique didn't go so well. I got my hands on a couple of Ampeg branded Sylvania 6SL7s (from a 60s B15) to try out. Unfortunately after installing them, the sound was intermittent and moving or even touching the sensitivity control yielded some nasty (and loud) static - not unlike a bad pot. I suspect a bad contact or poor fit of one of the tubes was to blame. Replacing the stock tubes brought everything back to normal. Time to email Jule to confirm if this is indeed the likely cause, as these tubes were known good last time they were used in another amp.
My favorite cab for sure...and honestly, no amp/cab mis-matches here...just different flavors of goodness! I've found my Monique sounds best thru the LWA effects return (line level pulled out ^, sensitivity pushed in ^, EQ ^^^)...
Monique thru my XLS2502 is also fantastic, but (and this could just be my GAS-induced imagination) the LWA amp adds a slightly warmer tone vibe...
...which is why I'm thinking it might be time to acquire an M____ amp. @juledude--possibly a matching bamboo shell for the M700 or M2500???
Unfortunately, this cab is not a lot of fun "tossing" into my suv, so I use my Berg HDN's most often...
View attachment 846524