• TalkBass has been independent since 1998. Add your voice.
    Create a free account to reply to discussions, view embedded media, and browse with fewer display ads.
    Join freeLog in
    Want zero display ads or expanded classifieds tools? Compare plans.

Just a curious question. What picks do you use?

I like the dunlop medium delrin types. Use them mostly with guitar, but on occasion with the bass. I use the fat end, same way SRV used picks. It takes out the quack and snap, and produces a fatter attack.
 
I'm sure leather gets a nice "soft" tone. Just wondering about its durability.
In regard to its durability, I’ll probably lose the pick before I ever wear it down. Of course, maybe not, but probably.

The one in the photo has a good two years on it. I’ve been using it to pick flats on a Gibson SG, so I can’t say much for how it’ll hold up using rounds.

As for tone, it depends on a few factors. For one, the type of leather used. Secondly, the cut. Third, the prep. If I soak it in mink oil, it’ll give me a soft tone and will play extremely fast. It’ll play like a thin pick with substantial heft in its delivery. If I soak it in water then let it dry out, it’ll have a much more sharp, precise attack with little bend similar to a 1mm pick.

I’ve been addicted to leather picks since I first found one in a souvenir shop on Broad in Nashville. I thought it was a gimmick souvenir until I used it that night. I’ve been a fan ever since.
 
Dunlop USA Nylon .73 mm

513qiUStfHL._AC_UL160_SR160,160_.jpg


But recently I began using a pick like finger technique where I put my thumb and index finger together like using a pick but instead use the nail and the edge of the index finger as I would use a pick.

Gives me a little less emphasis on the attack than I would get with a pick but still much more than I get with regular finger picking, also I find that I get a little more control over the dynamics and precision as to how I hit the strings.
 
  • Like
Reactions: G-Z
Dunlop nylon 1mm. I've tried a lot of different stuff, always come back to those.

And interesting one I tried was the Dava Master Control pick, which has a nickel insert on the striking point. A curious thing, fun to noodle with. Haven't found a practical use for it in my playing.
 
I usually have about 10 different kinds on my mic stand pick holder. I use different ones for different attacks and sounds I am going for. Sometimes the room and/or stage will determine whether or not I need a pick with in edgy tone or one that is a bit more subtle. I use a pick about half the time.

My default picks are the medium Tortex picks. .60, .73 and .88 These are what I use for practice and rehearsal in a dry room. The .60 is mostly for when I am playing up and down 16th notes. The .88 is for harder downward chopping on 8th notes. The .73 is for moving around a lot and doing up or down strokes as needed.
dunloptortexstandardpicks.jpg


I'm working on getting used to a thumb pick so that I can switch from fingers to pick mid song. Upstroke on those is "weird" so far. But I'm working on it. The goal would be to leave that pick on the whole show and switch to it when I need it. I might not pull it off though. It's a fun experiment anyway.
 
Last edited:
I like thick,inflexible picks.
Why?


Because there is no flexing,there is no delay of motion transfer.
So all the pick motion energy is transferred to the string.
The blunt,rounded tip slips easily over the string.
It's like using your index finger tip.
Moving the string only.

Top left to bottom right:
Big Stubby 3mm,Dunlop Primetone 5mm,Timbertones Agate 4.7mm picks.
SikPik D35.It's twisted!Wegen 5mm,Wegen 7mm,V-Pick Big Fattie 5.85mm.

20170721_151759.jpg
 
Last edited:

Latest posts