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Lakland Owners Group #63

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The Cure is one of the great underated bands of all time.

I remember a parody commercial on MTV in the late 80's early 90's when the "976" talklines were at their peak, where Robert Smith, or a look a like (don't remember which) did the commercial saying "I'm Roberts Smith, call me, let's be depressed together"...hey, it's funny to me!

I wonder if Simon Gallup has ever tried a Lakie...
 
I don't know him personally, but based on his posts on this forum I am concerned that Marcus may not be gloomy enough to play Cure covers.

I'm sure he's up to snuff and if not I can give him a few pointers ;)

Yeah...I can do them, but I giggle inside.

Yeah, we'll have to work on that, no school girl antics in gloom man :D

I agree. Disintegration is easily my favorite album closely followed by Pornography.

Pornography > Disintegration IMO.
To me Pornography was the culmination of the trilogy that started with Three Imaginary Boys then Seventeen Seconds. Now where did I put those import cassettes?
 
I agree. Disintegration is easily my favorite album closely followed by Pornography.

Good ones for sure!

The Cure is one of the great underated bands of all time.

Word.

Yeah, we'll have to work on that, no school girl antics in gloom man :D

I hide it with a pissed off look! I'm that good:-)

Yea there would be guys on that one like flies on fresh _ _ _ _ :hiding:


Gross! Although...strangely...I am no craving beef tartare.
 
To me Pornography was the culmination of the trilogy that started with Three Imaginary Boys then Seventeen Seconds. Now where did I put those import cassettes?

Pornography was actually a beginning of the trilogy...Pornography, Disintegration, Bloodflowers

I just like the songwriting a bit more on Disintegration. Last Dance is a near perfect song.
 
Pornography was actually a beginning of the trilogy...Pornography, Disintegration, Bloodflowers

I just like the songwriting a bit more on Disintegration. Last Dance is a near perfect song.

The "trilogy" I'm talking about is not in the classic sense, I'm talking about the early years before commercialization - not that there's anything wrong with that. :D
 
Thanks! I don't know about the strings...I'll try and find out. Shoot me that thread!
Here ya go: http://www.talkbass.com/forum/f8/new-pawn-shop-bass-vi-947469/
As far as gauges go, naturally the heavier they are, the "bassier" they sound (not that less bassy is necessarily a bad thing). But the Fenders can only accomodate strings up to a certain gauge. I imagine the Decade V1 has limits, too, it's just a matter of physics with the bridge and the nut.
As for string type, some of the Bass VI vets seem to prefer LaBella flats.
 
Here ya go: http://www.talkbass.com/forum/f8/new-pawn-shop-bass-vi-947469/
As far as gauges go, naturally the heavier they are, the "bassier" they sound (not that less bassy is necessarily a bad thing). But the Fenders can only accomodate strings up to a certain gauge. I imagine the Decade V1 has limits, too, it's just a matter of physics with the bridge and the nut.
As for string type, some of the Bass VI vets seem to prefer LaBella flats.

I was thinking about the string gauges as well after looking at the bridge on the Lakland with guitar-type saddles.
 
Here ya go: http://www.talkbass.com/forum/f8/new-pawn-shop-bass-vi-947469/
As far as gauges go, naturally the heavier they are, the "bassier" they sound (not that less bassy is necessarily a bad thing). But the Fenders can only accomodate strings up to a certain gauge. I imagine the Decade V1 has limits, too, it's just a matter of physics with the bridge and the nut.
As for string type, some of the Bass VI vets seem to prefer LaBella flats.

Thanks! That is exactly the string set I was thinking about!
 
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