Looks good for sureSeriously ....ebony is " snappier" and more crisp....
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Looks good for sureSeriously ....ebony is " snappier" and more crisp....
Yes makes senseI think they use ebony for tone, but also because it is harder than rosewood and fretless strings tend to wear the fretboard more than on fretted basses. Ebony should resist that wear better.
Agree totally, IME.Seriously ....ebony is " snappier" and more crisp....
I think so too. I am not normally a fan of Mother of Toilet Seat pickguards, but not sure what else is "right" with that gaudy Candy Apple Red. I'll get used to it.
After some CS and Moollon basses, I am back by proper Lakland P, early ash trans white Glaub. It is like coming home.
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I've always had Tortoise on my CAR basses. Looks great, especially with a dark board.I think so too. I am not normally a fan of Mother of Toilet Seat pickguards, but not sure what else is "right" with that gaudy Candy Apple Red. I'll get used to it.
After some CS and Moollon basses, I am back by proper Lakland P, early ash trans white Glaub. It is like coming home.
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Rolled out the 55-14 for it’s christening weekend of gigging and it did exactly that which I was hoping; sat perfectly in the mix and was comfortable to play.
As an aside, I usually just plug in a DI but the sound engineer at this particular venue prefers to mic a 10” speaker cab. He realizes the hollow stage needs some separation to keep the boominess at bay so that’s why the cab is sitting on a couple railroad timbers.
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After some CS and Moollon basses, I am back by proper Lakland P, early ash trans white Glaub. It is like coming home.
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I meant to post this in response to the CAR pick guard question.
Is this your regular setup, and what are your impressions?
I'm seriously considering pairing my Lakland with the same amp and cab. Had the chance to try it with bigger cabs and it sounded superb compared with other digitals...
So I'm curious about possible flaws, if there are any?