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Lemons (warning: G&L rant)

Not really sure if this is a cry for help, or just a rant. Maybe both. Apologies if this a little long...

I have a G&L LB-100 Tribute, purchased new about two years ago. I immediately swapped the factory strings for Chromes and set it up to my preferred specs. I've made seasonal adjustments to the truss rod, but no other changes.

I was happy with the bass until I made a change over the holidays. I decided to sand (and then burnish) the factory gloss poly finish off the back of the neck and replace it with Tru Oil. When I removed the neck to begin sanding, a narrow piece of sandpaper fell out of the pocket.

I am not a professional luthier, but I have done all my own setups and modifications for decades and built a bass or two from parts (e.g. Warmoth). I am well aware of neck shims. This piece of sandpaper was (maybe) 1/4 inch wide, as long as the neck width where it meets the pocket, and one end was slightly folded over on top of itself.

I had never seen sandpaper used as a shim, especially this small and thin. So I threw it away, completed the sanding and oiling, then put it all back together. That's when the problems started. To summarize: since then, I cannot get the bass properly setup - no matter what/how I try. A quick (but not complete list):
  • Different materials for a shim (wood, metal, paper)
  • Different size shims (width, thickness, length etc.)
  • Different locations within the neck pocket (G&L LB-100 has 6 screws holding the neck in place) and shims that fill the neck pocket vs. strips
Depending on the above, the bridge saddles are either too high or cannot be lowered enough to get the correct string height because they hit the bottom of the bridge cavity. When I am able to get it close, I'm getting a lot of clank and string noise. I cannot get the intonation set. Every string is sharp to some degree no matter how far I move each saddle away from the nut.

To be fair, every guitar maker has imperfections and quality issues on some level. And one instrument does not represent the quality of all of them. But... the level of frustration I'm having has pushed me to now look for another P bass, not made by G&L. I feel like I got a lemon, and not only is it past warranty, I've modified it. Argh...!!
 
Well that'll learn ya... If something falls out of your bass, never toss it until you figure out why it was there.

Yeah, I've seen all sorts of things used as shims. Sandpaper wouldn't actually be all that unusual because it's got some "stone" to it so it wont really compress. Some of the most expensive bolt-on-neck instruments in the world have shims.

You can get wood shims in various sizes from StewMac if you don't want to make them yourself.
 
You have a Tribute series, not a Fullerton. You’ve enjoyed it thoroughly for several years. You disassembled it and altered the finish and there was a shim that did it’s job which you discarded. Now it’s a lemon.

Am I missing anything?

Take it to a pro and say you lost the shim and they’ll fix it and it won’t be a lemon anymore.
 
You have a Tribute series, not a Fullerton. You’ve enjoyed it thoroughly for several years. You disassembled it and altered the finish and there was a shim that did it’s job which you discarded. Now it’s a lemon.

Am I missing anything?

Take it to a pro and say you lost the shim and they’ll fix it and it won’t be a lemon anymore.
Well… the neck issue is related to a defect that is not resolved despite attempting to fix with all the methods described above. This includes a similar strip of sandpaper placed in the same location as the original. I know this because the original left a small, indented pattern in both the neck and pocket. I tried this first before changing/correcting the setup. Which means for all intents and purposes, it was returned to its original state and still did not work. The remainder came after this failed.

I understand that small variances at this level of precision can have big effect. The fact that so many different variations have failed leads me to believe either the neck pocket was routed too deep or the neck heel was improperly shaped by CNC machine.

But your point is valid.
 
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How in the world is the bass a lemon or defective? It was fine before you took it apart and now you can’t get it back together properly. You completely changed the finish on the neck. That’s on you.

You’re upset because you ruined your bass and want to place the blame elsewhere.

This car’s a lemon. I pulled the engine out, modified the cams and now it doesn’t run exactly like it did before.
 
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Among the multiple shim materials I saw over the years, here are a few ones :

Business cards
Playing cards
Sand paper
Guitar pick
Masking tape (sometimes up to a few layers !)
Pocket shaped bevel wood shims ($$$)
Brass shims

Do they all work fine : yes (at least according to me)

My favorite is the business card because it’s cheap and works just good enough. And to avoid losing it when removing the neck, I just put a drop of wood glue.

Best thing for you would be to find that sand paper back and put it back exactly on the same spot. Worst case, something as close in terms of size and compressibility will also work.
 
I've seen sandpaper used as a factory shim. It seems to work fine (or medium, depending upon the sandpaper).

Ranting is fine. Everybody gets frustrated and it feels good to rant. Calling the bass a lemon, though... That's doing G&L a disservice. That bass played just fine before you took it apart so there's clearly something you've missed in the reassembly.
 
When I pull a bolt-on neck off of anything that plays great and don't see some type of a shim jammed in there, I'm usually caught off guard with surprise.
I’ve had the neck off of every Mike Lull bass I’ve owned (Five total).

I’ll admit, I wasn’t looking, but I don’t recall ever noticing a shim in the neck pocket.

I’m open to correction by another Lull owner, but I just don’t recall seeing a shim in any of them.