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Lets See That Ride or Die Bass

A Bass I'd Never Sell . . . . doesn't exist for me. I like changing things up over time, and the idea I'd keep One Bass for the Rest of My Life . . . . nope. Time, taste, and technology changes, and what I was Bug Nutz for 30 years ago would not even move my meter today.

OK, Go Ahead, talk amongst yourselves.

If mine didn't have so many memories and history I might be in the same boat as you.
 
Parts P! Squier body, MIM Fender Jazz neck, Duncan SPB1. I've tried a few necks and pickups, but in some form this has been my main bass since 2018:
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And my runner up might be my recently acquired Yamaha TRBX 174. Shockingly good for 200 bucks, still all stock:
View attachment 4786927

I got up at a wedding for a quick jam and had to use the bassist bass and it was one of their entry models and I was blown away. I loved it for what it was.
 
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My No.2. Yamaha BB235. Will never let this one go, either...

Yam-235-Full.JPG
 
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Score! I bet he picked a great one for his buddy and you now have a great example.

My dad's friend ran a restaurant/bar that was known as a stop for the up-and-coming country bands to roll through. (He went on to work for Garth Brooks after getting out of the hospitality industry, if that gives you a picture of the scene.) Leo was a regular patron and gave him several instruments to hand out to musicians as they came through to promote the brand. My L-2000 is one of two that didn't get given away, with the other having collected a lot of signatures, from what I'm told (I've never actually seen it). When I started playing in the early 90s, he saw my starter bass, told my dad he had one I could have, and then pulled it out of his trunk the next time they played golf. And now she's all mine…
 
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My dad's friend ran a restaurant/bar that was known as a stop for the up-and-coming country bands to roll through. (He went on to work for Garth Brooks after getting out of the hospitality industry, if that gives you a picture of the scene.) Leo was a regular patron and gave him several instruments to hand out to musicians as they came through to promote the brand. My L-2000 is one of two that didn't get given away, with the other having collected a lot of signatures, from what I'm told (I've never actually seen it). When I started playing in the early 90s, he saw my starter bass, told my dad he had one I could have, and then pulled it out of his trunk the next time they played golf. And now she's all mine…

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About the Schecters, how are they? I have almost scooped a couple of the USA ones from the era that yours is from that were going for steals but I was downsizing and couldn't justify buying more even at the crazy price they were marked at.

I've said it before and I'll say it again: I would put a 1980s American-made Schecter up against any passive bass anywhere. Back then they were pretty unanimously acknowledged as "Fender killers" and even today they hold their own against Lulls, Sadowskys, Aleva-Coppolas (sp?), Valentis, and whoever else the revered FSO-maker-of-the-day is. I've played probably a half dozen or more Schecters from that era and every single one was exceptional.
 
I've said it before and I'll say it again: I would put a 1980s American-made Schecter up against any passive bass anywhere. Back then they were pretty unanimously acknowledged as "Fender killers" and even today they hold their own against Lulls, Sadowskys, Aleva-Coppolas (sp?), Valentis, and whoever else the revered FSO-maker-of-the-day is. I've played probably a half dozen or more Schecters from that era and every single one was exceptional.

Next time one pops up for a steal I'll have to jump on it and give it a go.