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Let's spread some musical misinformation

Ok ......you know 12-Bar Blues.......now it's time to take it to the next level....

To be an expert you need to know:-

Chocolate Bar Blues
Dive Bar Blues
Limbo Bar Blues
Protein Bar Blues
Rebar Blues
Candy Bar Blues
Sidebar Blues
Sandbar Blues

Then when you know these it's time to work on your Red's and Brown's.....

To become a super expert one should also know and master:
bullbar blues,
nudie bar blues,
jail bar blues,
bass bar blues,
crossbar blues,
towbar blues.
But most important is the blues bar blues.
 
When playing a gig at a Blues bar, it's important to have a repertoire of at least five Disco hits in your set list.

The song "Hands Up" by Aqua is a particular favorite with the blues crowd..........which, when introduced at the end of the second set usually blows them away with surprise and admiration.

Blues patrons love the juxtaposition of styles, welcoming the freshness and innocence of such songs as "Disco Inferno"...
 
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The vast majority of pianos are black, of course. Traditionally, white pianos were either for bathrooms, or for virgins.

Some Western donors have been providing pianos to poor Third World countries, but after finding out that most of the pianos ended up in the hands of crappy pianists working for the government, they demanded more transparency. Unfortunately, all they got was this...

crystalpiano-5a.jpg
 
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The death metal band Cannibal Corpse took most of the lyrics on their first 3 albums from the diary of "Coleslaw" Jim Fulbright, a Mississippi blues man who died in 1931 after a member of the audience in a local bar struck him in the face with a ball peen hammer.
 
This is actually TRUE mis-info; Issac Brock, Modest Mouse's frontman, told people that the lyrics for MM's side project 'Ugly Casanova' were written by a homeless man, Edgar E. Graham (aka Ugly Casanova), Brock met in Denver. Graham allegedly showed Brock lyrics he had written and performed a few of the songs, convincing Brock to record them. He later disappeared.

None of that is true; Brock later stated that he made up the whole thing in an effort to distance himself from the project (as in - not a MM thing), mainly so he wouldn't have to do interviews about the project.
 
275px-1966_Twister_Cover.jpg


Wayne Shorter's "Footprints" was released in 1966.

Milton Bradley's "Twister" was released in 1966.

COINCIDENCE?

¡!¡ NO !¡!

Wayne Shorter was one of the game company's test audience, and he composed "Footprints" by playing twister after painting note names on the dots.

In fact, the idea for the game came in 1960 from none other than John Coltrane, who had painted notes and dots on a bed-sheet before inviting musician friends at a party to stand on different random note values he played on his horn, just a game to begin with, but he saw the composition potential – this is how Coltrane actually composed "Giant Steps"!

Shorter was aware of this Coltrane-MB connection and wanted to try his own hand (and foot) at a Twister composition.

It was only late in the games development that Milton Bradley expanded the rules to include other appendages; note names were dropped to give it wider appeall; alas, game development was slow going because most development participants wound up having sex with each other and the game release date kept getting held up by the board of censors who (at the behest of other game developers) indeed accused Milton Bradley of selling "sex in a box".

Incidentally, the game is where the expression "Get knotted" comes from.

 
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Contrary to poular belief, left-handedness is a choice. All allegedly left-handed people are just faking it to annoy instrument manufacturers.

Also, the sound of a bass depends on the shape of it's body and headstock. So, there is no audible difference between an original instrument and it's chinese knock-off counterpart.
 
Sid Vicious was not only teetotal but also an accomplished multi-instrumentalist with a pathological fear of cutlery who was forced to conceal these traits when he got the Pistols gig. He was working with Keith Emerson & the National Philharmonic Orchestra on a triple concept album based on quantum mechanics when he mysteriously turned up dead whilst being mysteriously jacked up on smack.
 

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