- Sep 9, 2007
- 5,309
- 4,977
- Disclosures
- Endorsing Artist: Eventide, GHS Strings, G&L Guitars, NS Design, Tsunami Cables
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I like the fuzztone of the EHX Tube Zipper, with the envelope filter off. Actually the tubes are blown in mine so it's only the distortion part that works. It makes quite a nice fuzz tone.
Allso I like to combine my Ibanez FZ7 with the damage control on 100% with my Woolly Mammoth and Small Stone for a thick synthy square wave kind of fuzz.
Is there anyting like an "allround fuzz"??
I know... probably not...
Should I go for a dBBM to start with or go for something like woolly or animato clones??
There is just to much on the market and prices are mindblowing for some..
So... if I would like to go for a gene simmons and chris wolstenholme to "velcro"kind of sound I should go for the after shock and dail from one to the other?What an old post by me in an old thread.
It's not the tubes that is blown in the Tube Zipper, it's the envelope filter circuit that is faulty and works quirky and weakly.
Other than that I pretty much stand by my post, even if I did sell my FZ7, as awesome as it sounded, since it made my bass tone really treblelly and thin.
Also I discovered since that a Boss MT-2 stacked in front of the EHX Tube Zipper sounds surprisingly awesome, pushing the Tube Zipper into over the top out of control fuzz territory and adding a ton of beautiful distorted harmonics.
Soon I'll be adding a Hartke HF44 Bass Fuzz, which has kind of a nasty harsh midrangy tone, you can hear in the Metal, Doom and Rock samples here: Invalid Link Removed
Finally at some point later this year I will get a Fender Blender clone, build by my electronic engineer freind.
The Fender Blender has this really unique over the top out of control nasty harsh ugly broken fuzz tone, I never heard the like of in any other pedal.
Truly unique sounding, although not for the faint hearted, but perfect for some nasty ugly fuzz noise making.
No, there are several types of fuzz tones pretty impossible to recreate with just one pedal, unless it has several circuits or is digital like the After Shock pedal that Source Audio makes.
Some has more usable tones in them than others though within their special territory.
So... if I would like to go for a gene simmons and chris wolstenholme to "velcro"kind of sound I should go for the after shock and dail from one to the other?
I just want to keep the amount of boxes down on the board and the chain simple and not go for digital multifx..
personal opinion...No...get the ssbs TAFM or Mini for a more organic sounding either of those examples. But that just might be me not liking the word "engine" when it's applied to digital phenomena (After Shock) vs traditional diodes and circuits (TAFM). I think I hear a difference.So... if I would like to go for a gene simmons and chris wolstenholme to "velcro"kind of sound I should go for the after shock and dail from one to the other?
I just want to keep the amount of boxes down on the board and the chain simple and not go for digital multifx..
Uhm, where are you getting that from?
If you only want those two types of fuzz, buy two pedals that does that, but you didn't specify that in your post, I am not a mind reader you know.
I wouldn't go digital either, but what you asked for was an allround fuzz, and that is what I answered you on.
The only fuzz that would do that would be a digital one or one with several different fuzz circuits, as there are several different types of fuzzes and they all have pretty unique characters and tones, as I pretty much already stated in my last answer to you.
Almost as different as entirely different types of effects.
When that is said the Aftershock does a pretty good job emulating all kind of distortion and fuzz tones, from what I heard, and it wouldn't exactly be a digital multi effect, it's just one simple little box, that looks like a stomp box, you can use as standalone, or edit in the infinite via connecting it to a computer and edit it on the app....
As far as I know, not owning one myself, there's three different settings that is switched between by the flick of a knob on the stomp box.
You can't both wanting several completely different types of effects and at the same time wanting to keep the number of stomp boxes down to minimal, without going digital, simple as that.
It's common sense really.
Was just checking After Shock & TAFM on youtube...personal opinion...No...get the ssbs TAFM or Mini for a more organic sounding either of those examples. But that just might be me not liking the word "engine" when it's applied to digital phenomena (After Shock) vs traditional diodes and circuits (TAFM). I think I hear a difference.
I just read this and had to laugh... Hows that long list a fuzz pedals going for you now brabbit?I'm a relatively new convert to fuzz (although a long-time lover of overdriven tone). I liked the sound of my Sublime so much that I've gone and acquired yet another fuzz - W&C TFR! First one, then two, then...hmmm...why do I have the feeling that there will be more to come...