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Hmmm. I don’t need a dual bass rig. But I would love to run an octave-up signal to a guitar amp. The helix might be perfect for that. Have any of you tried that? It seems it would work great to fill things in when the guitarist solos.Dual rigs is where it's at!
Love mine and was wondering if I'll keep it once I go HX. But I'm so used to it that I most likely will. Having an always-on clean signal is better than any blend and the spatial "depth" of two rigs is it's own thing that I really don't want to give up. To me it's worth the hassle of the extra gear.
Here's a version:Dude! Please share this patch, blocks and settings. That sounds rad!!!!!! I wants
I can understand people that don’t have the ability or time to sit down and tweak buying patches but I pretty much agree with you. While I was playing around with Native I watched some videos and came across Jason Sadites dialing in a Marshall sound I really liked. I watched the video and made notes of all his settings and copied them exactly but with my guitar it sounded completely different. While it was a good learning experience because I got some tips and tricks that I wouldn’t have thought of otherwise I had further tweak his settings to make it sound good with my guitar.I checked out the Marketplace today. While I understand why it has been implemented, I don't like the idea.
Buying IRs is fine I guess as work went into providing emulations of gear we do not have access to.
However, (and this is a personal thing) I never liked the idea of selling patches. With high end gear like the Helix, patches don't really have that baked in sound anymore, as all the simulations tend to respond well to the instruments. So what the Marketplace is selling is just ideas that have to be tweaked after purchasing.
Sure I can decide if I want to purchase these ideas or not, but since I just shared one of my ideas here I wanted to share my feelings about this.
I checked out the Marketplace today. While I understand why it has been implemented, I don't like the idea.
Buying IRs is fine I guess as work went into providing emulations of gear we do not have access to.
However, (and this is a personal thing) I never liked the idea of selling patches. With high end gear like the Helix, patches don't really have that baked in sound anymore, as all the simulations tend to respond well to the instruments. So what the Marketplace is selling is just ideas that have to be tweaked after purchasing.
Sure I can decide if I want to purchase these ideas or not, but since I just shared one of my ideas here I wanted to share my feelings about this.
Here's a version:
My TC Electronic Sub'N'Up is in FX Loop2, just swap that block if you have an octaver in a different loop, or if you don't have on you could try a Pitch block (won't work as well, as it's not polyphonic).
I put in Minotaur as a boost, but in my own version I'll tweak the boost in my octaver pedal.
I'm planning to measure where the Minotaur boosts exactly and replicate that in the octaver to free up a block.
In my own version I tend to use a Simple Pitch block there with a momentary switch so I can pedal in some power chords while keeping the base at one note.
Hmmm. I don’t need a dual bass rig. But I would love to run an octave-up signal to a guitar amp. The helix might be perfect for that. Have any of you tried that? It seems it would work great to fill things in when the guitarist solos.
No, I don't usually have time to mess with patches much and my board usually lives in our practice space where we do not have any internet access. As I mentioned the whole point of sharing this one was to share the thought process so that others may benefit from some things when building patches as well.Thanks for sharing. I'll mess with it tonight. Do you ever throw any of your patches up on Custom Tone?? I don't have the Sub-n-Up but I do have a whammy!
In my main preset, I have a split Y to create a path B for parallel effects. On path B, I have an octave up, eq, distortion, and delay. Right now I just merge (Mixer block) this back into the A path. But in the Mixer block you can set the Path B Output to go to Send 12. Is that what you're doing? That way you could get two sets of stereo outputs (Main L/R and Send 1/2).I'm sure if I want to run the second rig out of the send or if I should run it in stereo or what... And I'm getting all jumble headed when I'm trying to run some effects to the 2nd rig and not the first. Know what I mean?
In my main preset, I have a split Y to create a path B for parallel effects. On path B, I have an octave up, eq, distortion, and delay. Right now I just merge (Mixer block) this back into the A path. But in the Mixer block you can set the Path B Output to go to Send 12. Is that what you're doing? That way you could get two sets of stereo outputs (Main L/R and Send 1/2).
It would be an amazing setup to have a bass amp (or two) in the middle, and a guitar amp on each side of the stage with stereo chorus going between them. I'd be happy with just my bass rig and a small tube combo amp for the "guitar" Send 1 output, set a few feet away for some nice spatial separation.
Any recommendations for a good sounding small combo for the guitar signal? I'd like to be able to get the clean Fender "chime" and also a more muscular distorted tone. My first thought was a small 112 Fender tube amp, 25 watts or so.
Hmmm. I don’t need a dual bass rig. But I would love to run an octave-up signal to a guitar amp. The helix might be perfect for that. Have any of you tried that? It seems it would work great to fill things in when the guitarist solos.
In my main preset, I have a split Y to create a path B for parallel effects. On path B, I have an octave up, eq, distortion, and delay. Right now I just merge (Mixer block) this back into the A path. But in the Mixer block you can set the Path B Output to go to Send 12. Is that what you're doing? That way you could get two sets of stereo outputs (Main L/R and Send 1/2).
It would be an amazing setup to have a bass amp (or two) in the middle, and a guitar amp on each side of the stage with stereo chorus going between them. I'd be happy with just my bass rig and a small tube combo amp for the "guitar" Send 1 output, set a few feet away for some nice spatial separation.
Any recommendations for a good sounding small combo for the guitar signal? I'd like to be able to get the clean Fender "chime" and also a more muscular distorted tone. My first thought was a small 112 Fender tube amp, 25 watts or so.
I just tried it, and it's different than the manual I read (2.5). In HX Edit, grab the mixer (where the merge happens in the flow diagram), and drag it down. THen let go, and it will go all the way across and say "Send 1/2" and your A path will say "Main L/R".
I just tried it, and it's different than the manual I read (2.5). In HX Edit, grab the mixer (where the merge happens in the flow diagram), and drag it down. THen let go, and it will go all the way across and say "Send 1/2" and your A path will say "Main L/R".
Cool!Now I’m cookin with gas. That was the key to unlocking my brain to the whole thing man. Thank you!![]()
Cool!
Now I have a question - I had figured out how to reverse the on/off of a button led, so the light was off when the button was "on" and vice-versa. But now I can't figure out how I did it... What do I do??? I feel like an idiot sometimes with this thing.