how many players? that's your limiting factor.
you would use a splitter snake, with one end as the stage box you plugged all the mic cables into, and the other end being split into two batches of XLR male ends; one set of ends would go into the stage snake that went to the front, and the other set would go into your mackie mixer.
if you had four musicians you could rig up stereo IEM mixes for everybody (really cool) and with a wireless router everybody could do their own mix with an ipad or even iphone (the iphone won't do panning or EQ, just the levels).
with more than 4 players we're talking back to mono mixes, which can still be OK if you guys can tweak them to where you're happy. either way the soundguy could do whatever the hell he wanted out front, you wouldn't even have to care.
thing is, to do this right (and not have every soundguy everywhere hate you) you need to bring your own mics, mic stands, and mic cables too, so that everything you hear is the same night to night.
you would use a splitter snake, with one end as the stage box you plugged all the mic cables into, and the other end being split into two batches of XLR male ends; one set of ends would go into the stage snake that went to the front, and the other set would go into your mackie mixer.
if you had four musicians you could rig up stereo IEM mixes for everybody (really cool) and with a wireless router everybody could do their own mix with an ipad or even iphone (the iphone won't do panning or EQ, just the levels).
with more than 4 players we're talking back to mono mixes, which can still be OK if you guys can tweak them to where you're happy. either way the soundguy could do whatever the hell he wanted out front, you wouldn't even have to care.
thing is, to do this right (and not have every soundguy everywhere hate you) you need to bring your own mics, mic stands, and mic cables too, so that everything you hear is the same night to night.