Thanks a lot to all those who have come with some info!
Pulled the trigger on the NY408 Stack!
Some graphic evidence!!!
The story:
Got answers at other forums prefering the NY408 ober the 210s. The latter were unanimously described as really low-mid oriented whereas the 408 were refered to as more even across the frequecy spectrum.
First impressions: (take these with a grain of salt, as I have only tried them
solo in our rehearsal room, which has got a really low ceilin, resulting in a rather peculiar type od sound)
Could notice no difference in volume with my former Berg ht-112Er-ex112ER stack. This is a good thing, as I hane never pushed the master in my Markbass Momark SA500 any further than 11 o'clock.
Tone:
With the Momark running flat, you can notice a slightly lower response in the mids. Not a bad thing if you want the cab to be flat, which is my case. Hence the bottom and highs seem perfectly balanced to me.
Just what I wanted to get: quicker, snappier drive behaviour: really 4x10"-like.
Strangely enough, and in spite of what I perceived with fretted fingerstyle -where no special mid enhancement was nticed-the NY408 really shone at letting out a cristal clear, thick tone from my fretless.
I'm eager to try them in a band context; both at rehearsal and concert.