Ah dang, that thing does look sweet... I should have just gone with that from the beginning. Guess I'll put the Meris switch up for sale as soon as it's in today.
Thanks for all the help!
Thanks for all the help!
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I think you can still use the editor program, you just can't access all 16 (if i'm not mistaken).
Hmmm, the documentation states you need
but would I be able to plug the pedal straight in to my computer with an adapter?
- MIDI connection to the Enzo (Like the Meris MIDI I/O box or equivalent). Must have MIDI IN and Out.
- USB to midi adaptor, like the Roland UM-ONE
I'm a little behind on the documentation for the new version of the editor. Here are the options:
1) Use the 2 devices as described above (Meris MIDI I/O and Roland UM-ONE)
- or -
2) Use a Disaster Area Devices unit like the qConnect or the DMC Micro that has a multi-jack and USB that can be configured to send and receive midi on the multi-jack. Connect your computer to the DAD unit with a USB cable and from the multi-jack to the Enzo with a TRS cable.
Word, so then I can't just plug the pedal in a rock out. Excited to work with the program when I'm equipped to!
EDIT - Alright gang, it's here and I'm suuuuper confused! I'll keep re-reading the user manual and hopefully that will shed some light on things...
One question, when an instruction says alt+ sustain at minimum does that mean hold alt, move the knob to min, then release?
For live stuff (funk, rock, etc.), I mostly have four tones for the Enzo (mostly I use it at home for my soundscapes)... a basic octave up, a basic octave down, a double badass octave down, and an autowah. I don't remember my settings for the autowah off the bat, you do have to basically make sure you have the envelope mode set to follower, then dial in your cutoff, then play around with the envelope until you find the sweet spot. It took me about 5 minutes to dial those ones in.Thanks for the help, that got me to a good starting point. Won't have much time to tinker for a few days but I'm excited to discover more sounds. My main concern at this point is that I'm primarily a live player and not sure how effectively I'll be able to incorporate the pedal into my current gigs. I'll spend some time and see what's what.
One more question for now, anybody have tips to hit a basic dank envelope filter tone? My hope is to have the Enzo replace my Wonderlove, getting one or two patches in would make me okay ditching that pedal in the hopes of getting more utility out of this one.
That's why the editor program is so useful, it's a game-changer, really.Not necessarily going to give up on it yet, I think it's reasonable that there should be a learning curve with such an in-depth tool. But I do see how using MIDI and the editing program would help immensely, that way I can actually see the parameters instead of trying to remember which under-the-hood settings I've changed.
That's why the editor program is so useful, it's a game-changer, really.
Keep in mind, unless you plan on using some other midi-enabled 1/4 pedals (which, considering how good they are, esp. the Meris/Chase Bliss, you certainly may), you don't need the qConnect. You can still do 2 pedals with the micro, using a trs splitter cable.
Yes, be sure to check out Elliot's Enzo editor for the PC. I believe there's a Mac one coming soon, too.Curiosity got the better of me and so I Just got myself a used Enzo. I'll be reading this thread in its entirety in the next week.
Are there any other resources/collections I should be aware of?